NATIONAL: KARNATAKA: ARTS & CULTURE / FILMS :‘Will have 50 per cent women in team’, Filmmaker Kiran Rao on her feature film ‘Laapataa Ladies’ being India’s offical entry for the 2025 Oscars, and more

Ladies, go for it! Go for it!” says film director, producer, and writer Kiran Rao, giving a message to young women joining the film industry and looking to make strides. Rao has recently been in the news for her film Laapataa Ladies which has surpassed 28 other Indian films to be the country’s official entry in the Best International Feature Film category for the 2025 Oscars.

“India’s entry in itself is an award for me. I am so humbled and we will do our best to make everyone proud,” says Rao. The film, set in rural India, explores themes such as marriage, patriarchy, and societal norms. Two veiled, red saree-donning brides, Phool (Nitanshi Goel) and Jaya (Pratibha Ranta), undertake an adventurously arduous journey of self-discovery after being mistakenly exchanged during a train ride to their respective homes after marriage.

Though both of them go through very different experiences, they learn, unlearn, and wake up in their own ways. Rao says, “The idea of the veil is a great physical metaphor showing that there is a dayra or limit that circumscribes their potential. We did not critique any type of veil; at the end of the film, they are still wearing veils and it doesn’t matter because it is their choice.”

The original story, called Two Brides, was written by Biplab Goswami. Rao tweaked several aspects of this story for her film and also introduced a character called Manju Mai, a quirky middle-aged woman Phool meets at a train station. “Manju Mai symbolises women’s independence, living on her own terms.

The women in our lives our mothers, aunts, grandmothers, sisters have done so much for us. Yet their work is not valued and Manju Mai really essays that as a character,” says Rao, who, going forward ‘plans to have 50 per cent of women in her filmmaking team’.

Further, Rao highlighted the need for more women, queer people and those from marginalised backgrounds to be in filmmaking. “But I do believe there are sensitive male directors as well; just look at The Great Indian Kitchen! And as someone raising a son, the human that he is speaks about who I am! So, raising empathetic boys is important,” she says.

Rao is also working on films in the comedy, dark drama and supernatural horror categories. Signing off she says, “When you have humour, it creates a space for conversation.”

source/content: newindianexpress.com (headline edited)