Category: Heritage

INTERNATIONAL: Ashes of John Merwin Fritz, a London-based Archaeologist, Immersed in the Tungabhadra waters at Hampi

The ashes (asthi) of John Merwin Fritz, an 83-year-old London-based archaeologist and anthropologist, who died in London on January 23 this year, were, as per his wishes, immersed in the Tungabhadra waters at Hampi on Sunday.

Fritz was an internationally acclaimed archaeological researcher who made notable contribution to research on the great imperial city of Vijayanagara.

As per his wishes, his cremation was carried out according to Hindu rituals in London and the ashes were immersed in the Tungabhadra waters. His grandson Williams performed the ash-immersion rituals at Hampi.

Fritz’s daughter Alice Chandra Fritz and his friends John Gollings and George Michell were among those present at the Hampi ceremony.

“Fritz was very fond of India, especially Hampi. As per his wishes, his ashes were submerged in the Tungabhadra waters. His other wish was to complete the Vijayanagara Research Project which he started 30 years ago. I am also part of the project with a specific assignment of mapping surface archaeological features and I have finished it. We will try to complete the entire project,” Surendra Kumar, a Hampi-based researcher, told The Hindu.

Born on December 29, 1939 at Glendale of California in the United States, Fritz had settled down in London.

His work, Paleo-Psychology Today (1978), anticipated not only new directions in archaeology but also what would become the core of his research and publications regarding the symbolic features of past architectural monuments and structures, including aspects of both the Chaco site in New Mexico and, most substantively, the grand imperial city of Vijayanagara at Hampi in India.

In April 1981, Fritz joined George Michell, an architect from Australia, for archaeological research of Hampi. Over the next 20 years, he and George Michell ran an independent field camp in the middle of the ruins in Hampi. Together with the many scholars who became involved in what came to be known as the Vijayanagara Research Project, Fritz published extensively, editing the two-volume “Vijayanagara: Archaeological Exploration, 1990-2000”, and, together with George Michell, issued a popular guidebook on the site.

Their jointly authored “City of Victory” published in 1991 by Aperture in New York was the first of the several superbly illustrated volumes. They gifted much of the project’s maps and drawings to the British Library. Before his death, Fritz made a bequest to the American Trust for the British Library to fund a one-year cataloguing post for the collections.

source/content: thehindu.com (headline edited)

KARNATAKA: ’19th Toto Funds the Arts (TFA) Awards 2023′ Ceremony returns to Stage, February 18th

The 19th edition of the Toto Funds the Arts (TFA) awards recognised 10 winners across various categories, including literature, music, short film, photography, and digital art.

Dadapeer Jyman, a promising talent in the Kannada literary scene, could hardly contain his emotion as he accepted the award for creative writing in Kannada at the 19th edition of the Toto Funds the Arts (TFA) awards ceremony held at Bangalore International Centre on February 18. With a tremulous voice, Jyman expressed his joy at winning the prize. “I’ve dreamt of winning a Toto for three to four years now. I’ve been longlisted and shortlisted… It feels like finally being accepted after pursuing a loved one for long,” he said.

Having won the Sahitya Akademi’s Yuva Puraskar in 2022, Jyman is making a name for himself as a rising star in Kannada literature. His award-winning story, Taha’s Letter, explores the clash between two worlds, through the lens of two close friends, Dileep and Taha. One is stuck in the village, while the other has become an activist in the city. Taha is queer, and, as the story unfolds, we see how two worlds collide and get a chance to examine why it did not work out between them.

Following two years of virtual editions, the Toto Awards finally made a return to the physical stage. “Nothing compares to meeting young artists in person and hearing a live audience cheer them on. All of us at TFA were excited to do an on-ground event,” said CK Meena, chaiperson, TFA.

The TFA is a non-profit trust that was founded in 2004 to commemorate the passing of Angirus ‘Toto’ Vellani, a 20-year-old art and literature lover. Every year, the trust awards prizes in a range of categories, including literature, music, short film, and photography, and hosts workshops, talks, readings, film screenings, and intimate addas to discuss arts-related topics.

A new category was established this year to pay tribute to the memory of abstract artist Mehlli Gobhai, dedicated to digital art, and an additional award was presented for music. The ceremony included a short ghatam performance by Sumana Chandrashekar.

“It is a great platform for youngsters riddled with self doubt about their potential,” said chief guest MS Sriram, Kannada writer and chairperson of the Centre for Public Policy at the Indian Institute of Management Bangalore. “This award is a big endorsement from the community. While there are several language-based art communities in Bengaluru, what makes this one unique is its diversity. I was amazed by the different regions the award winners came from, as usually in these gatherings we only see local talent.”

Moachiba Jamir, who won the award in the creative writing in the English category, said, “The story, Expecting Caterpillars, talks about grief in a way that also touches the culture that I come from, where very strong emotions such as grief and happiness are not really shared. We don’t really hug people, we don’t say we are sorry… I wanted to explore that in my story,” said Jamir.

A native of the Ao tribe in Kohima, Nagaland, Jamir includes his cultural roots in his writing. “I am inspired by Chimamanda Ngozi Adichie, who said there’s not just one story. So, I am not the only story from my culture; I am just a little voice out of all the voices that are around.”

This year’s ceremony recognised 10 winners across various categories, each of whom received a cash prize. In the music category, both Dindūn and Rudy Mukta were awarded ₹60,000 each. The creative writing in the English category saw Moachiba Jamir and Aparna Chivukula winning ₹50,000 each. Dadapeer Jyman won ₹50,000 in creative writing in the Kannada category. The photography category was won by Aswin Sharma and Anuja Dasgupta, with each of them receiving ₹50,000. In the short film category, Pratik Girish Bhoyar and Nikhil Vinay received ₹50,000 . Sankalpa Raychaudhury won the digital art category, receiving a cash prize of ₹50,000.

source/content: thehindu.com (headline edited)

NATIONAL: SPORTS / BOATING: ’11th National Dragon Boat Championship’ begins in Swarna River, Heroor,Udupi, February 23 to 26th

700 participants from 15 States are likely to participate in the races till February 26. The event will be held at Swarna river in Heroor.

The 11th national dragon boat championship will begin in Udupi for four days from Thursday, with about 700 participants from 15 States expected to participate.

Organised by the Udupi district administration, in association with the Indian Kayaking and Canoeing Association, the competitions will be held on the Swarna near Heroor in Udupi.

Those selected in this championship will be eligible to participate in Asian Games to be held in September/October, 2023.

Arrangements like two access roads, space for viewers have been organised in Heroor.

According to Udupi MLA K. Raghupathi Bhat, dragon boat race has evolved into a competitive global sport.

‘‘Udupi got an opportunity to host this championship. The prospects of Udupi in organising water sports championships can be explored further. The championship will have 200 metres, 500 metres, and 2 km race,” he told presspersons.

In each category, 25 participants will get selected to participate in the Asian Games, Mr. Bhat said, adding that the dragon boats have already arrived at the venue.

The boats have been designed to look like a dragon’s head, while the rear is carved to look like a tail.

In this event, 22 persons sit on the narrow boat, while the rest of the team works the oars and one person sitting in the front will beat a drum to egg them on and a coxswain steers the boat. There will be three more persons on reserve.

The 10th national dragon boat championship was held in Bhopal last year.

source/content: thehindu.com (headline edited)

KARNATAKA: ARTS & CULTURE / MUSEUM: Museum of Art and Photography (MAP) Opens Physical Museum in Bengaluru

The museum includes virtual exhibits, artists lectures, virtual reality encounters and a number of keynote discussions that foucs on the collections.

The Museum of Art and Photography (MAP), the first major private museum in Bengaluru, opened its doors at Kasturba Road with the inaugural series, ‘Art is Life: New Beginnings’. In view of the launch, the museum is holding week-long events from February 18-24.

Supported by cutting-edge technology, the museum has been constructed on the pillars of an innovative digital format that was introduced in 2020. This entails virtual exhibits, artist lectures, virtual reality encounters and a number of keynote discussions with leading museum directors from across the world that focus on the collections.

igital interventions, such as the Sasken Multimedia Gallery, enhance the museum experience for MAP’s visitors and make the whole collection accessible even when individual pieces aren’t on show.

Four exhibitions

The brand-new series feature four exhibitions and a series of new commissions. Curated by the director of MAP, Kamini Sawhney, ‘Visible/Invisible’ includes works by leading Indian artists such as Jamini Roy, Bhupen Khakhar, Mrinalini Mukherjee, Ravinder Reddy, Arpita Singh, M.F. Hussain and examines the role of women in art.

With more than 160 images, renowned Indian artist Jyoti Bhatt’s collection “Time and Time Again” traces his path as a photographer in the second half of the 20th century. The installation highlights his experimentation with multiple exposures and fragmented mirror imagery, as well as his depiction of rural villages, portraits of other artists, and self-portraits.

The MAP also feature LN Tallur’s series of sculptures and movies called “Chirag-e-Al,” which explore the link between artificial intelligence and ritualistic belief systems while forcing viewers to consider humanity’s increasing reliance on technology. The themes of darkness, conversations between celestial entities, and white spaces are established via the use of imagined chatbots, neural networks, composite figures, and white spaces.

Three years of research-backed work

Speaking about what makes MAP so distinct, Ms. Sawhney said, “MAPs collections are spread over six categories — premodern, modern and contemporary, textiles, photography, indigenous art, and popular culture such as Bollywood posters and film scripts. It tells the stories of all communities that make up India. We tell much wider stories as compared to other museums. Visible/Invisible showcases the permanent collection of MAP but we also commissioned various artists to create work which became part of the works. We worked for three years on this exhibition and it is accompanied by a catalogue.”

MAPs collections are spread over six categories — premodern, modern and contemporary, textiles, photography, indigenous art, and popular culture such as Bollywood posters and film scripts. 

The MAP started first as a digital museum. “We developed the concept of MAP Labs which looks at the intersection of the science and the arts and how we can use technology to find art solutions. In our first collaboration with Accenture, we came up with the idea of creating a 3D persona or a hologram of M.F. Hussain, an iconic artist with whom a lot of young people have not interacted. It enabled them to have a chat with M.F. Hussain and understand his work,” Ms. Sawhney said.

source/content: thehindu.com (headline edited)

KARNATAKA : World Konkani Centre announces 2 New Awards from this year

The World Konkani Centre, Shakthi Nagar, in Mangaluru has instituted two new awards from this year in the name of its chief patron. Each award carries ₹1 lakh in purse and a plaque.

It has chosen Ajit Ganapat Shenvi Kerkar for the P. Dayananda Pai Vishwa Konkani Ranga Shreshta Puraskar 2022 considering his lifetime contribution to the field of theatre and their contribution to the cause of Konkani.

Vidya Pai has been chosen for the P. Dayananda Pai Vishwa Konkani Anuvada Puraskar 2022 considering the enormity and impact of her translation work of Konkani literature in to English resulting in worldwide exposure for the Konkani literature, according to Nandagopal Shenoy, president, Konkani Bhas Ani Sanskriti Prathistan, World Konkani Centre.

The awards will be presented during the Vishwa Konkani Awards Ceremony to be held on February 9, 2023, in the presence of chief patron P. Dayananda Pai and other dignitaries, he said in a release.

The selection is based on the nominations submitted by the public and evaluation by two jury committees comprising of eminent personalities.

The jury for Ranga Shreshta Puraskar comprised of G.G. Lakshman Prabhu as the Chairman, and Muralidhar Shenoy from Kochi, John Permannur from Mangaluru and Sanjiv Verenkar from Goa as members.

The jury of Vishwa Konkani Anuvada Puraskar had Payyanur Ramesh Pai as Chairman and Gokuldas Prabhu, Kiran Budkuley and Melvyn Rodrigues as members.

Mr. Kerkar, 72, has served the Konkani theatre for the past 54 years in Goa. He still continues to be in the field of Konkani theatre by acting, directing and designing the sets for Konkani dramas. So far, he has acted in 89 productions and directed 43 production of dramas with innumerable shows across Goa and Maharashtra. He was instrumental in the success of 143 theatrical productions.

He is the only actor in Goa to have won the State-level best actor award for seven times including 4 times in a row.

Ms. Pai lives in Kolkota. She has translated 68 Konkani short stories and seven novels in to English and published them in reputed publications all across the world. A PhD thesis has been written based on her work and Konkani literature has received much needed attention in the literary world due to her work, the release said.

source/contents: thehindu.com (headline edited)

NATIONAL / KARNATAKA: ARTS & CULTURE: Confluence of Cultures Witnessed at ’13th Nirantharam National Music and Dance Festival’ Jan 01st-05, 2023

This ongoing festival will feature a variety of classical music concerts and dance performances.

It was a musical beginning to the year as the 13th Nirantharam National Music and Dance Festival kick-started on January 1 and will continue till January 5.

This five-day festival, happening at Seva Sadan, Malleswaram, will feature a variety of classical music concerts and dance performances.

The inaugural performance saw a colourful dance ballet, depicting the life and times of Nagarathnamma, a Carnatic singer, scholar, and courtesan. The show was conceptualised and directed by veteran director TS Nagabharana followed by Bharatanatyam and Kuchipudi performances throughout the day.

P Ramaa, trustee of Sangeetha Sambhrama, which organised the festival says on January 2 there is a lineup of NRI artists. “It’s an internationally-known music drama and dance festival. Artists from the US and UK  are participating. There is a strong lineup of Bharatanatyam and Kuchipudi performances,” says Ramaa. The festival has many performers who have been looking forward to being part of live shows. “Performers are eagerly waiting to perform live, as before it was largely online. Even regular attendees of the festival, are awaiting this,” says Ramaa.

Ramaa adds on January 4 there is a dance ballet of Sri Ramanuja Vaibhavam, and suggests not missing it. It will be presented in the presence of  Yadugiri Yathiraja Narayana Ramanuja Jeeyar Swamy and Karnataka Higher Education Minister C N Ashwath Narayan. Apart from that, there will be a presentation of Sambhrama Puraskar Awards 2023 to eminent artists like R A Ramamani,  Sujatha Sreenivasan,  Sai Venkatesh,  Prasanna Kasthuri,  Praveen D Rao,  Padmaja Srinivas and V Murali Nadaswara.

“We are felicitating all the artists who were bestowed with the Sangeet Nataka Academy Award from the President of India in Delhi. Around 50 people are coming for the award function and some are being awarded posthumously,” concludes Ramaa.

source/content: newindianexpress.com (headline edited)

KARNATAKA: ACHIEVERS: Rev Ferdinand Kittel Foundation to Award 10 Eminent People for various contributions towards Kannada & Karnataka in 2021-22

Rev Ferdinand Kittel Foundation is giving the ‘Rev Kittel Awards’ to 10 eminent people who have contributed towards Kannada and Karnataka in various fields for the year
2021-2022.

The award ceremony will be held on Saturday, November 26 at 3.30 pm, at Gandhi Bhavan, Kumara Park East, Bengaluru.

The awardees are :
Philanthropist – Dr Ronald Colaco
Social Activist – Dr CS Dwarkanath
Film – B Ramamurthy
Literature – Marie Joseph
Media/journalism – Ramakanth Tv5
Sports – Martin Das
Health worker – Dr Smitha (Victoria hospital)
Educationist- Eshwaramurthy
NGO-CUPA.
Public Service- Ashwini SI, Pullikeshinagar Station.

The award will be conferred by, His Holiness Nidumamidi Mutt Seer Sri Veerabhadra Channamalla Swamiji, B V Pinto, former judge high court of Karnataka and Bhaskar Rao IPS (Retd) former commissioner of Police, Bengaluru.

source/content: daijiworld.com (headline edited)

KARNATAKA: HERITAGE / ARTS & CULTURE: Learn about Karnataka’s Heritage through innovative ‘Flippar’ Postcard Videos and Postal Covers

Want to know about the unique heritage of Karnataka, its wonderful festivals and ancient culture through a short video? You just need to step inside any major Post Office this week to do so. India Post on November 18 signed an MoU with Bengaluru-based Flippar to sell its eye-catchy postcards and postal covers through major post offices in Karnataka. “The Philately bureaux of the General Post Office in Bengaluru and the Head Post Offices in Mysuru, Belagavi and Mangaluru will be selling them,” Chief Postmaster General (Karnataka Circle) S Rajendra Kumar told TNIE.

Flippar has created 600 unique Augmented Reality (AR) cards, each priced at Rs 50, which showcase India’s rich heritage. The Lion’s share of them are illustrations on Karnataka like the Stone Chariot at Hampi, Vidhana Soudha, Badami, MTR and Koshys, India Coffee House, MG Road, festivals and many heritage buildings.

What is AR card?
An AR card or cover will have a video clip accompanied by audio about a specific landmark or tradition covered. “The duration  of the clip ranges between 45 seconds and 90 seconds,” explains Vivek Mahaveer Jain, Director of Flippar. “One needs to download our app Flippar Go, available on both Google store and Apple store, click the Magic Eye button and scan the postcard to get a 3D view and for the video to play,” he said.

“They are already selling like hot cakes at book stores for over a year now. Post offices across the state will now help us have a much larger reach,” Jain said. It is a win-win situation for both as the Postal Department stands to get 20% of the revenue generated from these cards. Flippar has printed the cards in bulk and will be dispatching them to the post offices before Wednesday. “From Thursday, public can buy them,” Jain said.

Blossoms and Goobes bookshops on Church Street, Champaca bookstore on Cunningham Road, Bangalore Creative Circus at Yeshwanthpur and Paperback Bookshop at Rangasankara already sell them.

source/content: newindianexpress.com (headline edited)

KARNATAKA: HISTORY /ARTS & CULTURE / LANDMARK: PM Modi Unveils 108-feet Bronze Statue of Bengaluru Founder ‘Nadaprabhu’ Kempegowda making it the Tallest Bronze Statue of a Founder of a City

Prime Minister Narendra Modi on Friday unveiled the 108-feet tall statue of the city’s founder Nadaprabhu Kempegowda, which is the “first and the tallest bronze statue of a founder of a city”, as per the ‘World Book of Records’.

Called the “Statue of Prosperity”, it has been built to commemorate the contribution of Kempegowda towards the growth of Bengaluru.

The statue weighing 218 tonnes (98 tonnes of bronze and 120 tonnes of steel) has been installed at the Kempegowda International Airport here.

It has a sword weighing four tonnes.

The project, besides the statue, has a heritage theme park in an area covering 23 acres dedicated to the 16th century chieftain, together costing about Rs 84 crore to the government.

Karnataka Governor Thaawarchand Gehlot, Chief Minister Basavaraj Bommai and several of his cabinet colleagues, Nirmalanandanatha Swamiji of Adichunchanagiri Math, Union Minister Pralhad Joshi, BJP Parliamentary Board member B S Yediyurappa, former Chief Minister S M Krishna, BJP legislators, officials, among others were present at the event.

Kempegowda, a feudatory ruler under the erstwhile Vijayanagara Empire founded Bengaluru in 1537.

He is revered, especially by the Vokkaliga community that is dominant in Old Mysuru and other parts of southern Karnataka.

Renowned sculptor and Padma Bhushan awardee Ram Vanji Sutar has designed the statue.

Sutar had built the ‘Statue of Unity’ in Gujarat and the statue of Mahatma Gandhi in Bengaluru’s ‘Vidhana Soudha’.

As a precursor to the unveiling, ‘Mruthike’ (sacred mud) was collected from over 22,000 locations across the state, which was mixed symbolically with the mud beneath one of the four towers of the statue.

Twenty-one special vehicles collected the sacred mud in villages, towns and cities during the last two weeks.

With the installation of the statue ahead of the Assembly polls next year, a competition of sorts seems to have erupted between political parties to claim credit for the legacy of Kempegowda, aimed at garnering electoral support from the politically dominant Vokkaliga community.

Leader of Opposition Siddaramaiah had earlier said the Congress government led by him was the one which had first planned to install the statue of Kempegowda at the airport.

source/content: newindianexpress.com (headline edited)

KARNATAKA: ARTS & CULTURE : New Tulu font ‘Allige’ developed by Prahlad Joshi , II PUC student released

 “More than 800-year-old history substantiates that Barkur was the capital of Tulu state. Several documents and sculptures found in Barkur say its story,” said Barkur gram panchayat president B Shantaram Shetty.

He was speaking after inaugurating a programme on Tulunadu historic capital Barkur and Tulu script singara held at Mahatobhara panchalingeshwara temple, Barkur here recently.

“We have the responsibility of preserving the rich culture of Barkur. Though I speak in Kannada, the Kambala buffaloes inspired me to speak in Tulu,” he said.

Jai Tulunadu Sangha vice-president Vishu Srikera who presided over the programme said that we have the responsibility to create revolution in Tulu education and make Barkur the capital of Tulu state.

Barkur Panchalingeshwara temple head Manjunath Rao sought the cooperation of all to take Barkur to its lost glory.

Karnataka Tulu Sahitya Academy former member Dr Akash Jain released the new Tulu font. He said that the tenth century stone edicts have a mention about the Tulu language. “More than 56 stones with writings in Tulu were found. More than 1,500 writings on leaves and poems were found in Tulu language,” he said.

“There are 142 Tamil schools, 162 Telugu schools, 4,000 Urdu schools, one Gujarati and two Malayalam schools in the state but it is unfortunate that there is not even one Tulu school in the state,” he said.

Second PUC student Prahlad Joshi who developed Tulu fonts was felicitated. Teachers teaching the Tulu language were honoured.

Jai Tulunadu organisation treasurer Rakshit Raj welcomed the gathering. Sharath Kodavoor rendered the vote of thanks.

Jai Tulunadu Sangha chief secretary Avinash Mukka, members, members of local organizations and others were present. 

source/content: daijiworld.com (headline edited)