Events, Exhibitions, Conferences – Page 6

KARNATAKA: HORTICULTURE / AGRICULTURE: Indian Institute of Horticultural Research (ICAR-IIHR) to hold Exclusive ‘Appe Midi’ Fair (tender mango) where 100 varieties to be on display, April 12-13

Appe midi is a traditional pickling variety of mango from Karnataka, which is grown in the Malnad region of the State-especially in Sirsi, Sagara, Siddapur, Thirthahally, Kumata, Sakleshpur, Kodagu and Chikkamagaluru.

Thanks to the growing popularity of ‘appe midi ’ (tender mango in Kannada), the Indian Institute of Horticultural Research (ICAR-IIHR) in Hesaraghatta for the first time will conduct an exclusive ‘appe midi’ mango fair, where 100 varieties of such mangoes will be displayed.

The fair will be held on April 12 and 13 on the IIHR campus in Hessarghatta.

Creating awareness

Speaking to The Hindu, M. Sankaran, Principal scientist, division of fruit crops, ICAR-IIHR, said, “Appe midi mangoes have a unique position with respect to the diversity of pickling mango varieties. Appe midi is the king of all tender mangoes as far as its use in the pickle industry is concerned. Since there is a demand and awareness has to be created on this variety of mangoes, we thought of conducting an exclusive fair.”

The IIHR will display 100 varieties of tender mangoes at the fair, which are preserved by IIHR and also grown by farmers in various parts of the State. “The custodian farmers from across the State will participate at the fair where 100 appe midi mango genotypes will be displayed. The pickle manufacturers will also sell their products made of tender mango. Apart from this, we will also distribute limited appe midi mango saplings to farmers,” Mr. Sankaran added.

According to IIHR, the pickles prepared from appe midi mangoes make for an exquisite culinary experience. The demand for pickles varies from 4,000 to 5,000 tonnes per year, translating to ₹100 crore per year.

Unorganised market

“A good quality tender mango costs ₹2 to 3; the price for a quintal could go up to almost ₹6,000, depending on demand and availability. Since the supply of appe midi meets only one-tenth of demand in the market, they are often mixed in with ordinary tender mangoes. This is not an organised market compared to others. Appe midi products have a high potential for marketing and need attention for conservation. The mango’s unique size and taste make its pickle one of the best in the country, with its fragrance so strong that adding just a few midis to an ordinary pickle can change its taste and smell,” Mr. Sankaran explained.

A wild appe midi tree can yield several tonnes of tender mango, with features varying from tree to tree. In Karnataka, 100 farm households are engaged in making appe midi pickles producing at least 100 tones of pickle a year. ICAR-IIHR has so far surveyed, collected and conserved more than 250 accessions of appe midi mangoes. These mangoes have a huge market in Goa, Tamil Nadu and Kerala, according to IIHR.

source/contents: thehindu.com (headline edited)

KARNATAKA: AGRICULTURE / BIO-SCIENCE: 3-day International Seminar on Bioscience Technologies inaugurated at Karekere, Hassan

The seminar is being organised by College of Agriculture at Karekere near Hassan.

A three-day international conference on “Current Technologies and Opportunities in Biological Sciences” was inaugurated at the College of Agriculture near Hassan on Monday.

Former chairman of ISRO A.S. Kiran Kumar inaugurated the event. In his address, he said the current bioscience technologies had been creating a new dimension for the good of mankind. The advances in science and technology had played an important role in facilitating daily activities of human beings.

S.V. Suresh, vice-chancellor of UAS Bengaluru, said the advances in agriculture sector helped the country to ensure food for all. Earlier the country was facing food scarcity. The improvement was because of the advances in technology, he said.

Ganeshaiah, Retired Dean of UAS Bengaluru and other scholars, researchers attended the programme. Many scientists from reputed institutes presented their research papers in the event.

source/content: thehindu.com (headline edited)

KARNATAKA: 14th Bangalore International Film Festival (BIFFes): Lens on cinema – March 23-30, 2023

In its 14th edition, the festival will be showcasing more than 250 films, which will be screened on 11 screens at Orion Mall in Rajajinagar, from March 23-30.

Movie buffs can gear up as the city prepares for its annual film festival, the Bangalore International Film Festival (BIFFes). In its 14th edition, the festival will be showcasing more than 250 films, which will be screened on 11 screens at Orion Mall in Rajajinagar, from March 23-30.

One of the highlights of this edition is a masterclass by V Vijayendra, screenplay writer of Baahubali and Kantara fame. Movies from various countries like France, Senegal, Iran, South Korea and Russia will be screened. Oscar-winning movies like The Whale and Everything Everywhere All At Once are also going to screen. The festival will see various competitions being held in various categories like Cinema of the World, Asian Cinema, Indian Cinema and Kannada Cinema.

This will be the first festival that Ashok Kashyap, who was recently appointed as the chairman of Karnataka Chalanachitra Academy, is managing. It will also see a centenary celebration of Dada Saheb Award-winning cinematographer V K Murthy, who has worked on classics like Pyaasa, Kaagez ke Phool, Chaudhubin ka Chand.

“We are celebrating 100 years of cinematographer VK Murthy. He was one of the few cinematographers who received the Dada Saheb Phalke award. So we have some of his classics lined up,” says Kashyap, who has been a cinematographer in the Kannada film industry for over two decades.

According to Kashyap, this year they have tried to focus on throwing the spotlight on regional cinema, especially Kannada classics. “We are also showing some popular cinema of 2022 like Gaalipata 2,” says Kashyap.

To make things easily accessible, different passes are available digitally. “This year we have gone digital. Tickets can be booked on the phone,” says Kashyap, adding that the Chamber of Commerce, Suchitra Film Academy and Chalanchitra Academy have taken the charge of the distribution.

Now showing

The Whale: Darren Aronofsky (English)

L’Immensita Dir- Emanuele Crialese (Italian)

Everything Everywhere All at Once: Daniel Kwan & Daniel Scheinert (English, Mandarin, Cantonese)

Black Girl: Ousmane Sembene (French)

VK Murthy Movies

1957 Pyaasa: Guru Dutt

1959 Kaagez ke Phool: Guru Dut

1960 Chaudhubin ka Chand: M Sadiq

1962 Sahib Bibi Aur Ghulam: Abrar Alvi

Kannada Classics

Kasturi Nivasa: Dorai-Bhagavan

Sr Krishna-devaraya: B R Panthulu

Janumada Jodi: T S Nagabharana

America! America!!: Nagatihalli Chandra-shekar

source/content: newindianexpress.com (headline edited)

KARNATAKA: NATIONAL SCIENCE DAY: Open Day at Raman Research Institute (RRI) to mark National Science Day

About 800 school students from various government and private schools in and around Bengaluru participated in the Open Day event, to mark the National Science Day at the Raman Research Institute (RRI) on Tuesday.

RRI’s PhD and post-doctoral students along with the scientific staff put together 30 science models and live demonstrations for the visitors, which also included science enthusiasts and the public.

On the occasion, former Indian Space Research Organisation (ISRO) Chairman K. Kasturirangan, inaugurated the Archival Gallery at RRI.

The Archival Gallery is an unique, one-stop place offering visitors an opportunity to learn about the life and science of Indian Nobel Laureate Sir C.V. Raman, who founded the institute in 1948.

Further, the gallery offers a glimpse into some of the major scientific results from its four core themes, namely astronomy and astrophysics, soft condensed matter, light and matter physics and theoretical physics, as well as the facilities which provide able technological support for the frontier research that happens at the Institute.

The institute said that it took over two years for the completion of the gallery which is a joint effort by members across the institute.

A special cover themed on the National Science Day celebrated every year to mark the discovery of the Raman Effect was also released.

source/content: thehindu.com (headline edited)

KARNATAKA: ARTS & CULTURE: 4th ‘Bangalore International Centre (BIC) Hub’ba’ kicks off

The fourth edition of Bangalore International Centre’s Hub’ba features a dedicated children’s corner, policy discussions on a variety of topics, short films in addition to music and dance .

The annual Bangalore International Centre (BIC) Hub’ba is kicking-off today and features a variety of events for Bengalureans to participate in: lectures, conversations, panel discussions, traditional dance, music programmes and a dedicated corner for children.

For the first time, the fourth edition of the festival also features a section for short films about the city produced by citizens from different backgrounds.

“This year, we are hoping to create a carnival-esque vibe. It’s called a ‘hubba’ for obvious reasons. The idea is to emulate a good-old fun fair. But it is mainly characterised by the sheer variety of events. Everything that people will be interested to know about or participate in, but may not know where to look for,” says

Lekha Naidu, thespian and programming manager at BIC.

It was the success of the original event in 2019 that prompted its return as an annual event ever since. “The whole point of the fest was to create a packed-up version of all different sorts of events that we do throughout the year,” Naidu explains.

This year, the festival also features a section titled ‘B-LORE’ that is dedicated to stories about Bengaluru from a variety of perspectives told through the short films. “We wanted to garner many perspectives and stories about the city. What Bengaluru means to people and what they see in the city. We wanted a repository of information and stories connected to the city. And that led us to putting out an open call for films,” she shares, adding that among the 60 entries that they received, 26 were picked up by the jury and will be premiered at the festival.

While BIC Hub’ba has continued to add events each year, this time the organisers have made a key change to help the audience have a better time at the festival. “We have spaced out the sessions to give the audience a bit more breathing time. In the earlier editions, we had back-to-back sessions, and people would complain about having too many options at the same time and not being able to catch all of them,” Naidu concludes.

source/content: newindianexpress.com (headline edited)

KARNATAKA: ’19th Toto Funds the Arts (TFA) Awards 2023′ Ceremony returns to Stage, February 18th

The 19th edition of the Toto Funds the Arts (TFA) awards recognised 10 winners across various categories, including literature, music, short film, photography, and digital art.

Dadapeer Jyman, a promising talent in the Kannada literary scene, could hardly contain his emotion as he accepted the award for creative writing in Kannada at the 19th edition of the Toto Funds the Arts (TFA) awards ceremony held at Bangalore International Centre on February 18. With a tremulous voice, Jyman expressed his joy at winning the prize. “I’ve dreamt of winning a Toto for three to four years now. I’ve been longlisted and shortlisted… It feels like finally being accepted after pursuing a loved one for long,” he said.

Having won the Sahitya Akademi’s Yuva Puraskar in 2022, Jyman is making a name for himself as a rising star in Kannada literature. His award-winning story, Taha’s Letter, explores the clash between two worlds, through the lens of two close friends, Dileep and Taha. One is stuck in the village, while the other has become an activist in the city. Taha is queer, and, as the story unfolds, we see how two worlds collide and get a chance to examine why it did not work out between them.

Following two years of virtual editions, the Toto Awards finally made a return to the physical stage. “Nothing compares to meeting young artists in person and hearing a live audience cheer them on. All of us at TFA were excited to do an on-ground event,” said CK Meena, chaiperson, TFA.

The TFA is a non-profit trust that was founded in 2004 to commemorate the passing of Angirus ‘Toto’ Vellani, a 20-year-old art and literature lover. Every year, the trust awards prizes in a range of categories, including literature, music, short film, and photography, and hosts workshops, talks, readings, film screenings, and intimate addas to discuss arts-related topics.

A new category was established this year to pay tribute to the memory of abstract artist Mehlli Gobhai, dedicated to digital art, and an additional award was presented for music. The ceremony included a short ghatam performance by Sumana Chandrashekar.

“It is a great platform for youngsters riddled with self doubt about their potential,” said chief guest MS Sriram, Kannada writer and chairperson of the Centre for Public Policy at the Indian Institute of Management Bangalore. “This award is a big endorsement from the community. While there are several language-based art communities in Bengaluru, what makes this one unique is its diversity. I was amazed by the different regions the award winners came from, as usually in these gatherings we only see local talent.”

Moachiba Jamir, who won the award in the creative writing in the English category, said, “The story, Expecting Caterpillars, talks about grief in a way that also touches the culture that I come from, where very strong emotions such as grief and happiness are not really shared. We don’t really hug people, we don’t say we are sorry… I wanted to explore that in my story,” said Jamir.

A native of the Ao tribe in Kohima, Nagaland, Jamir includes his cultural roots in his writing. “I am inspired by Chimamanda Ngozi Adichie, who said there’s not just one story. So, I am not the only story from my culture; I am just a little voice out of all the voices that are around.”

This year’s ceremony recognised 10 winners across various categories, each of whom received a cash prize. In the music category, both Dindūn and Rudy Mukta were awarded ₹60,000 each. The creative writing in the English category saw Moachiba Jamir and Aparna Chivukula winning ₹50,000 each. Dadapeer Jyman won ₹50,000 in creative writing in the Kannada category. The photography category was won by Aswin Sharma and Anuja Dasgupta, with each of them receiving ₹50,000. In the short film category, Pratik Girish Bhoyar and Nikhil Vinay received ₹50,000 . Sankalpa Raychaudhury won the digital art category, receiving a cash prize of ₹50,000.

source/content: thehindu.com (headline edited)

NATIONAL: SPORTS / BOATING: ’11th National Dragon Boat Championship’ begins in Swarna River, Heroor,Udupi, February 23 to 26th

700 participants from 15 States are likely to participate in the races till February 26. The event will be held at Swarna river in Heroor.

The 11th national dragon boat championship will begin in Udupi for four days from Thursday, with about 700 participants from 15 States expected to participate.

Organised by the Udupi district administration, in association with the Indian Kayaking and Canoeing Association, the competitions will be held on the Swarna near Heroor in Udupi.

Those selected in this championship will be eligible to participate in Asian Games to be held in September/October, 2023.

Arrangements like two access roads, space for viewers have been organised in Heroor.

According to Udupi MLA K. Raghupathi Bhat, dragon boat race has evolved into a competitive global sport.

‘‘Udupi got an opportunity to host this championship. The prospects of Udupi in organising water sports championships can be explored further. The championship will have 200 metres, 500 metres, and 2 km race,” he told presspersons.

In each category, 25 participants will get selected to participate in the Asian Games, Mr. Bhat said, adding that the dragon boats have already arrived at the venue.

The boats have been designed to look like a dragon’s head, while the rear is carved to look like a tail.

In this event, 22 persons sit on the narrow boat, while the rest of the team works the oars and one person sitting in the front will beat a drum to egg them on and a coxswain steers the boat. There will be three more persons on reserve.

The 10th national dragon boat championship was held in Bhopal last year.

source/content: thehindu.com (headline edited)

NATIONAL: HORTICULTURE: National Horticulture Fair (NHF2023) Organised by ICAR and IIHR begins Packed with Activities to have Stalls, Workshops and Conferences Feb 22 to 25

The National Horticulture Fair 2023 (NHF2023), which will be held between February 22 and 25 in Hesaraghatta on the outskirts of the city under the theme of ‘Innovative horticulture for self-reliance’, will be inaugurated by Union Agriculture Minister Narendra Singh Tomar virtually on Wednesday at 12 p.m., said Sanjay Kumar Singh, Director of ICAR-IIHR and chairman of the organising committee NHF 2023.

The fair, being organised by the Indian Council of Agricultural Research (ICAR) and the Indian Institute of Horticultural Research (IIHR), will showcase latest technologies such as vegetable, flower and medicinal crop varieties for import substitution, pollination in protected cultivation, leaf curl virus resistant chilli varieties, carotenoid content rich marigold varieties, flower waste utilisation, terrace gardening solutions for urban horticulture, production technologies for exotic fruits such as dragon fruit and avocado and cost-effective traps for management of invasive pests, etc. for the benefit of horticulturists and other stakeholders during the NHF2023 at ICAR-IIHR.

The NHF-2023 will have 250 hi-tech stalls on various products and 50 nursery stalls, according to ICAR-IIHR officials.

Apart from this, officials said that special workshops and conferences on horticulture development on various aspects, including value added millet products, composting of bio-waste, urban horticulture, mushroom production and value addition, safe use of pesticides, preparation of incense sticks from floral waste and tribal horticulture, will be organised during the four-day fair.

Last year, the event was cancelled due to the pandemic, and in 2021, the fair was in a hybrid mode because of the pandemic. The institute is expecting about 50,000 farmers from various States of the country.

Hopcoms fair at Lalbagh

The Horticultural Producers’ Cooperative Marketing and Processing Society (Hopcoms) will oragnise grapes and watermelon mela at Lalbagh from Wednesday. Three to four varieties of watermelon and 13 to 15 varieties of grapes will be sold at the fair, according to a Hopcoms release.

source/content: thehindu.com (headline edited)

NATIONAL: HEALTH & MEDICAL SCIENCES: 52nd Conference of Indian Pharmacological Society (IPSCON 2023) & Awards Presentation to be held in Mysuru, February 22-25th

The JSS College of Pharmacy will host the 52 ^nd annual conference of Indian Pharmacological Society to be held in the city from February 23 to 25 and will showcase the developments in the field of pharmacology in India.

M Pramod Kumar, Organising Chairman of 52nd IPSCON 2023, and Principal, G.V. Pujar, to media persons here on Tuesday that the theme will be latest technologies and better strategies to discover new drugs and the conference will also highlight several crucial and contemporary issues in pharmacology.

In all, 110 talks are planned by scientists from across the globe and experts as part of the conference and there will be a pre-conference workshop on Wednesday. More than 1,000 delegates are participating from across the country and there will be 17 scientific sessions comprising symposiums, plenary lectures, distinguished lecture series, current scientific updates, brainstorming sessions and panel discussions

The conference will also feature an exhibition of scientific equipment while a walkathon will be held on February 24 to create awareness about health. The walkathon will be led by former Indian cricketer Javagal Srinath, according to the organisers.

During the inauguration three eminent pharmacologists will receive ‘’Lifetime Achievements Awards” for the contribution to drug discovery and development; 10 teachers will be awarded as “Best Teachers Awards”; 4 eminent pharmacologists will be given “Fellow of Indian Pharmacological Society-FIPS”; and eight researchers will be delivering the ‘orations’ talk during the conference.

Vice-Principal K.L. Krishna, Organizing Secretary of 52nd IPSCON 2023, B.R. Prashantha Kumar, Associate Professor, and other officials of JSS AHER and JSS College of Pharmacy faculty were present.

source/content: thehindu.com (headline edited)

KARNATAKA: ARTS & CULTURE / MUSEUM: Museum of Art and Photography (MAP) Opens Physical Museum in Bengaluru

The museum includes virtual exhibits, artists lectures, virtual reality encounters and a number of keynote discussions that foucs on the collections.

The Museum of Art and Photography (MAP), the first major private museum in Bengaluru, opened its doors at Kasturba Road with the inaugural series, ‘Art is Life: New Beginnings’. In view of the launch, the museum is holding week-long events from February 18-24.

Supported by cutting-edge technology, the museum has been constructed on the pillars of an innovative digital format that was introduced in 2020. This entails virtual exhibits, artist lectures, virtual reality encounters and a number of keynote discussions with leading museum directors from across the world that focus on the collections.

igital interventions, such as the Sasken Multimedia Gallery, enhance the museum experience for MAP’s visitors and make the whole collection accessible even when individual pieces aren’t on show.

Four exhibitions

The brand-new series feature four exhibitions and a series of new commissions. Curated by the director of MAP, Kamini Sawhney, ‘Visible/Invisible’ includes works by leading Indian artists such as Jamini Roy, Bhupen Khakhar, Mrinalini Mukherjee, Ravinder Reddy, Arpita Singh, M.F. Hussain and examines the role of women in art.

With more than 160 images, renowned Indian artist Jyoti Bhatt’s collection “Time and Time Again” traces his path as a photographer in the second half of the 20th century. The installation highlights his experimentation with multiple exposures and fragmented mirror imagery, as well as his depiction of rural villages, portraits of other artists, and self-portraits.

The MAP also feature LN Tallur’s series of sculptures and movies called “Chirag-e-Al,” which explore the link between artificial intelligence and ritualistic belief systems while forcing viewers to consider humanity’s increasing reliance on technology. The themes of darkness, conversations between celestial entities, and white spaces are established via the use of imagined chatbots, neural networks, composite figures, and white spaces.

Three years of research-backed work

Speaking about what makes MAP so distinct, Ms. Sawhney said, “MAPs collections are spread over six categories — premodern, modern and contemporary, textiles, photography, indigenous art, and popular culture such as Bollywood posters and film scripts. It tells the stories of all communities that make up India. We tell much wider stories as compared to other museums. Visible/Invisible showcases the permanent collection of MAP but we also commissioned various artists to create work which became part of the works. We worked for three years on this exhibition and it is accompanied by a catalogue.”

MAPs collections are spread over six categories — premodern, modern and contemporary, textiles, photography, indigenous art, and popular culture such as Bollywood posters and film scripts.

The MAP started first as a digital museum. “We developed the concept of MAP Labs which looks at the intersection of the science and the arts and how we can use technology to find art solutions. In our first collaboration with Accenture, we came up with the idea of creating a 3D persona or a hologram of M.F. Hussain, an iconic artist with whom a lot of young people have not interacted. It enabled them to have a chat with M.F. Hussain and understand his work,” Ms. Sawhney said.

source/content: thehindu.com (headline edited)