Arts, Culture & Entertainment – Page 3

NATIONAL: KARNATAKA FIRST: TRAVEL & HOSPITALITY / HOTELS: K Syama Raju, first from Karnataka to head Federation of Hotel & Restaurant Associations of India

K Syama Raju, Managing Director of Hotel Maurya, Bengaluru and President of the
Southern India Hotel & Restaurant Association (SIHRA), has been elected as the
President of the Federation of Hotel & Restaurant Associations of India (FHRAI).

He is the first person to be elected from Karnataka as FHRAI President in the last 50 years.

The election took place at the Federation’s Annual General Meeting held in Delhi, where Raju and other Managing Committee members were chosen for a one-year term.

In addition to his new position, Syama Raju also serves as President of the
Karnataka Tourism Society.

Upon assuming office, Raju outlined FHRAI’s priorities, including securing industry status for the hospitality sector, obtaining subsidies, and addressing human resource challenges.

He further stressed the Federation’s commitment to collaborating with state and union governments to support hoteliers and facilitate new investments, as the tourism industry is expected to witness rapid growth in the coming years.

FHRAI Office Bearers for 2024-25 are as follows:

President: K Syama Raju
Vice President : Pradeep Shetty
Vice President : Surendra Kumar Jaiswal
Vice President : Nitin S Kothari
Hon. Secretary : K Nagaraju
Hon. Treasurer : Garish Oberoi
Jt. Hon. Secretary : Nirav Gandhi
Jt. Hon. Secretary : Ashoke Singh, according to Jaison Chacko, Secretary General, FHRAI.

source/content: mysoorunews.com (headline edited)

KARNATAKA: 02nd October – Gandhi Jayanti: Badanavalu: Where Gandhjii’s legacy inspires a thriving khadi industry

The rhythmic hum of spinning wheels — Charaka — still reverberates through the air in Badanavalu, a village in Nanjangud Taluk, Mysuru District, that etched its place in history during India’s freedom struggle.

Sanctified by the footsteps of Mahatma Gandhi (whose 155th birth anniversary was celebrated yesterday), this humble village embraced his ideals and clung to its legacy of cottage industries, preserving them with pride to this day.

The soft, distant clatter of spinning wheels, tirelessly weaving Khadi threads, echoes through the fields. It was here, following Gandhi’s two iconic visits in 1927 and 1934, that hundreds of women found empowerment, shaping their lives around the art of weaving Khadi.

Gandhi first arrived in 1927, amidst his fight against the Simon Commission. His visit to the Mysore kingdom brought him face-to-face with freedom fighter Tagadur Ramachandra Rao.

Beacon of self-reliance

Upon witnessing the Khadi and Village Industries Centre, established by the Maharaja of Mysore in Badanavalu, Gandhi’s heart swelled with hope. His inspiration spurred the growth of more cottage industries, a movement that would transform the village into a beacon of self-reliance.

To commemorate Gandhi’s visit, a stone was laid at the very spot he set foot, with the inscription ‘Badanavalu Spinning Region.’ This simple act sowed the seeds for the formation of the Badanavalu Khadi Village Industries Cooperative Society.

A stone dating back to 1927, etched with the image of a spinning wheel, still stands as a symbol of his presence. Under local leadership, a bust of Gandhi and a pavilion were erected, with a plaque proudly noting its inauguration by the then Chief Minister, Veerendra Patil.

A hub of rural industry

In 1934, Gandhi returned to the Mysore region as part of his donation campaign for the ‘Harijan Sevak Sangh.’ Seizing the moment, he revisited Badanavalu to check on the progress of the spinning centre he had once inspired.

Following Gandhi’s initial visit, and with the enthusiastic backing of Maharaja of Mysore, Badanavalu blossomed into a hub of rural industry. Matchstick production, hand-made paper crafting, carpentry, blacksmithing, grain processing and making of puffed rice, beaten rice and fibre products were all successfully established.

Additionally, training for rural oil and fibre industries was introduced, creating a vibrant cottage economy that provided employment for around 500 villagers. Locals fondly recall Gandhi’s delight at witnessing the thriving industries during his second visit, a testament to the enduring spirit of self-reliance he had instilled.

Government support

At present, the Khadi industry is the only operational enterprise at Badanavalu, with the centre now under the management of the Khadi and Village Industries Society from Holenarasipura, Hassan district.

Supported by Government incentives, the workers spinning Khadi garments earn Rs. 35 per piece, with an additional Rs. 3 for each spool of thread and Rs. 7 per metre of fabric as bonus wages from the Khadi and Village Industries Board.

On average, women earn between Rs. 150 to Rs. 200 per day, utilising their spare time after household chores to engage in this craft.

Sabarmati Ashram model

The centre, sprawling across 5 acres, is seeing a renewed focus on development. A compound wall is under construction and the Karnataka State Tourism Department, through KRIDL (Karnataka Rural Infrastructure Development Limited), is building a structure modelled after the Sabarmati Ashram. The project is well underway.

Plans are also in motion to transform the park into a tribute to Gandhi’s legacy, with statues depicting his Dandi March and other figures emphasising village self-governance and self-reliance.

Meanwhile, the building erected in 1950 on the very spot where Gandhi addressed the villagers in 1927 has fallen into disrepair. Plans are underway to restore this historical structure, preserving it as a monument for future generations to remember and honour Gandhi’s profound connection with the village.

Badanavalu village, nestled in Nanjangud taluk of Mysuru district, is strategically situated along the route from Nanjangud to Chamarajanagar, boasting robust road connectivity.

Earlier Narasambudhi

Notably, railway records refer to this village as Narasambudhi. According to the 2011 census, Badanavalu is home to 632 families, with a population totalling 2,784. While it once drew attention due to caste conflicts, today the village thrives in a spirit of communal harmony.

In his 2024-25 State Budget speech, Chief Minister Siddaramaiah, a native of the Mysuru district, unveiled plans to enhance Khadi activities in Badanavalu — an area historically significant for its connection to Mahatma Gandhi.

He also proposed the development of the village as a National Memorial and a dedicated Development Committee has already been established to oversee this initiative.

The Badanavalu centre has attracted numerous dignitaries, including activist Medha Patkar political leaders, Ministers, elected representatives, and a host of film actors, all drawn by the village’s rich heritage and ongoing development.

The original Kannada report, written by D. Ashok Kumar, Deputy Director, Department of Information and Public Relations, Mysuru, was sent to Star of Mysore to be published on the occasion of Gandhi Jayanti (Oct. 2).

source/content: starofmysore.com (headline edited)

NATIONAL: KARNATAKA: TRAVEL & TOURISM: Kuthlur village in Dakshina Kannada district, Karnataka wins national award for adventure tourism

The Ministry of Tourism launched the ‘Best Tourism Village Competition’ last year to deepen pride among India’s villages.

Kuthlur village in Belthangady taluk of Dakshina Kannada district has shed its ‘Maoist tag’ and has become the only village in Karnataka to win a national award in a competition organised by the Ministry of Tourism.

The Ministry of Tourism launched the ‘Best Tourism Village Competition’ last year to deepen the sense of competitiveness and pride among India’s villages and the best five Rural Tourism Villages will be recognised under each category.

The competition is held in three stages — district, state and national levels. Harish Dakaiah, a software engineer from Kuthlur, works in Bengaluru and participated in the contest along with his friends from the same village Sandeep Poojary, who works in Qatar and Shivaraj.

They participated in the adventure tourism category and there were around 40 questions related to various adventure opportunities, security system in place for the safety of visitors etc on the tourism website where they had to upload all the documents, including photos, and details on the tourism spots, he said. Later on at the national-level evaluation, they had to submit a video.

source/content: newindianexpress.com (headline edited)

NATIONAL: KARNATAKA: AIR : India’s First Radio Station, the Akashvani Mysore Station is 90

Akashvani Mysore Station is celebrating its 90th anniversary, turning a new page in its several decades long history, continuing to serve a stream of connoisseurs, who still long to hear the mellifluous voice broadcast on the radio (Air Mysuru 100.6 FM).

For the uninformed, it was Akashvani Mysore Station that gave the name ‘Akashvani’ to All India Radio (AIR), the broadcasting facility of the country. Even amid the changing scenario, marked by key challenges with the advent of commercialisation, globalisation and multimedia, Akashvani has etched a firm place in the heart of the listeners.

With a variety of programmes entertaining the young and old alike, not ignoring its commitment to the society, Akashvani has been catering to the legion of listeners, moving ahead with a confidence of remaining the popular broadcasting media.

Genesis of Radio Station

To trace its origin, M.V. Gopalaswamy, a Professor of Psychology in Maharaja’s College here, started the Radio Station at his home in Yadavagiri, in the city on Sept. 10, 1935. Notably, it was the country’s first Radio Station, which began with the airing of Rashtrakavi Kuvempu’s poetry. A vocal concert by renowned composer Mysore Vasudevacharya, a direct disciple of Saint Thyagaraja, was the first music programme to be broadcast on this Radio Station.

The Radio Station was later shifted to the present building of Mysore Medical College & Research Institute (MMC&RI) on Irwin Road in the city. It was later handed over to Mysore Municipality (which later became Mysuru City Corporation) and was subsequently managed by the princely Mysore State headed by the Maharaja.

Wave of novelty

In the later years, N. Kasturi, as the first Assistant Director of the Station, took the Station to new heights, making it a talk of the town with its innovative programmes. The Central Government took over Akashvani in the later years and Prof. B.N. Murthy, as the Station Head, gave a touch of creativity, while his successor Dr. M.M. Natesh infused novelty to the events.

After the formation of Karnataka State, the Radio Station was shifted to Bengaluru on Nov. 2, 1955, before relocating to Mysuru on Nov. 14, 1974.

Several programmes aired on Akashvani Mysuru, were the result of successful experiments and have bagged several national awards. It has succeeded in maintaining its own distinct quality, amid the growing influence of mass media, with the motto Bahujana Hitaaya, Bahujana Sukhaya. Be it literature, music, plays, education, health, cinema, sports, agriculture and several other programmes, Akashvani has been endearing the listeners.

Programme list

The programmes like Coffee Thindi, Belli Beragu, Veeneya Bedagu Nadada Sobagu, Arivina Shikhara, Laya Sambhrama, Haadu Helida Kathe, Thorana Horana, Kannada Bharati, Doctor Samaya, Mahila Ranga, Yuva Ranga, Bala Jagat, Rasaprashne, Ranga Banuli, Chilipili, Chatpat Churumuri, Udyoga Varthe, Krishi Ranga, Mahila Ranga, Kelugara Korike – Nimma Mechchina Chitrageethegalu, Natakagalu, Chalanachitra Dhwani Vahini, Mishra Madhurya, Game Show, Katheyallide Uththara, Kelugarondige Anisike, Kaadina Rochaka Kathegalu, Sangeetha Sambhrama, Trin Trin Cycle Savari, Maathina Lahari, Nammoora Hesaru, Kadambari Vichara, Heegide Nam Jodi, Haadiyalli Kanda Mukha, Keli Giligale, Makkala Mantapa, Nenapinangala Sandhya Raga, Vaidyarondige Bheti (health programme), direct Phone-in and Varthegalu (news), command dedicated listeners, along with cricket and Dasara commentaries.

Besides, by producing quality programmes, Akashvani is striving for the welfare of the society too.

A household brand

Like the eponymous brands of Mysore like Mysore Dasara, Mysore Mallige, Mysore Sandalwood, Mysore Pak and Mysore Silk, Mysore Akashvani is also a household brand. It has been functioning out from the heritage building in Yadavagiri on KRS Road in the city, broadcasting a variety of non-stop programmes from 5.55 am to 11 pm.

Meaningful 90^th anniversary celebrations

The 90th anniversary of Akashvani Mysore Station was meaningfully celebrated on Sept. 10, with Pavithra, the great granddaughter of Akashvani Founder M.V. Gopalaswamy and Rajaram, the grandson of N. Kasturi, planting the sapling to mark the milestone in the history of the Radio Station, at its premises in Yadavagiri.

Addressing the gathering, Deputy Director of Akashvani Mysore, S.S. Umesh, recalled the history of the Station, saying that it was on Sept. 10, 1935 that the Station made its start and was later managed by Mysore Kingdom and was subsequently taken over by the Central Government. The Station has provided a platform for various litterateurs including Rashtrakavi Kuvempu, by airing a series of programmes. The programmes have still retained their popularity.

Assistant Director Abdul Rasheed, T.B. Vidyashankar, Programme Executive B. Shanthakumar and others were present.

As part of 90th anniversary, day-long special programmes were aired on Akashvani Mysore.

source/content: starofmysore.com (headline edited)

NATIONAL: KARNATAKA: PROJECT DIGITISATION: Close to 12,000 books digitised in Bengaluru for All India Gandhi Library project

The collection, assembled over three months and spanning 12 languages, includes Mahatma Gandhi’s collected works, publications such as Harijan and Young India and audio recordings.

The Servants of Knowledge, a non-profit group, has announced that 11,720 books from the library of Bengaluru’s Gandhi Bhavan have been digitised as part of the All India Gandhi Library project.

The group announced this at the valedictory session of a seminar held on Sunday to mark the 75th year of the Gandhi Smaraka Nidhi Organisation.

According to a statement by the non-profit group, Gandhi Bhavan had already made 1,272 books publicly available online. The freshly digitised collection, assembled over three months and spanning 12 languages, includes the collected works of Mahatma Gandhi, his publications such as Harijan and Young India and audio recordings of him speaking on All India Radio.

The digitised libraries have been presented to 12 Gandhian organisations.

Among the speakers at the seminar was American public domain information advocate Carl Malamud, who is also part of Servants of Knowledge and the founder of the US-based Public.Resource.Org.

“For the last several months, we have been digitising every book here at the Karnataka Gandhi Smaraka Nidhi libraries. Today we are presenting all of those books in digital format to the organisations here, making them the trustees of this knowledge….this is the first release of the All India Gandhi Library. We have offered to digitise at no cost additional Gandhi materials these organisations may possess to add to the collection. We have already assisted the Gandhi Smaraka Nidhis of Telangana and Andhra Pradesh and we welcome additional materials…..as we say ‘scanning is the new spinning’,” he said at the seminar.

Explaining the digitisation process, Malamud told indianexpress.com later, “We make the scanners and frames here in India and have 17 scanners here at Gandhi Bhavan and can scan 15 lakh pages every month… Once you get good at it, you can do 500 pages in an hour. After the scan, a post-process happens where you crop the pages, de-skew it, run optical character recognition and create a PDF file—a whole chain of processes.”

Explaining the challenges of working with old books in general, Malamud added, “If the material is truly fragile, we work with INTACH (Indian National Trust for Art and Cultural Heritage) and they help us conserve the books. The same goes with fragile palm leaves. We’re careful while turning the pages with older books, but if the book is going to disintegrate we have it go through the conservation process.”

About some other work done by the Servants of Knowledge, Malamud said, “Om Shivaprakash (another archivist with the Servants of Knowledge) has been instrumental in finding old Kannada books and gotten permission to digitise old Kannada magazines from publishers…. We’re also working on Lalbagh right now and digitising their library of 6,000 books and digitising old and rare prints. There are all sorts of materials that are on the internet for the first time and that is something we’re particularly proud of.”

source/content: indianexpress.com (headline edited)

NATIONAL AWARDS: KARNATKA: ARTS &CULTURE – CINEMA: Hadn’t imagined this in my wildest dreams, says filmmaker Dinesh Shenoy on winning National Award

Filmmaker Dinesh Shenoy was shooting on St Mark’s Road on Friday when he got the news that the editor of his film Madhyantara is to be honoured for best editing in a non-feature section at the 70th National Film Awards. He immediately called Suresh Urs to share the news. A few minutes later, he got a call from Urs and this time, Shenoy was being congratulated. Initially puzzled, Shenoy later realised that his short had also won big – The best debut film of a director award.

Having been an ad and corporate filmmaker since his late 20s, Shenoy took a turn towards cinema in his 50s with Madhyantara. But he reveals that it was never supposed to be a short film. “I actually wanted to make a feature-length film. I have been doing ad and corporate films and made this short film as a different way to pitch my idea to producers, more like to convince them that I could work with a feature-film format,” shares the 56-year-old, adding that getting a National Film Award for his effort was never really on his mind. “I hadn’t imagined this [winning] in my wildest dreams,” he says. However, he still hopes he can turn it into a feature film when he finds a producer who believes in the project.

Set in Bengaluru of the ’80s, Madhyantara, which translates to intermission, is the director’s ode to Kannada movies and the people who work passionately on them. The genesis of the story began during the Covid-induced lockdown when Shenoy came across interviews with technicians and a producer who worked in the Kannada film industry.

“What was fascinating about the interview was they were talking about the movie which I had watched during my childhood. In one of the interviews, a producer revealed a story where he and his best friend shared a single movie ticket, where one watched the movie from the beginning to interval and the other watched the second half,” says Shenoy, whose eureka moment was right then, leading him to create his main characters, Raja and Kumara.

The film follows two friends with a deep passion for movies and their journey to become filmmakers. The film uses understated humour with a lot of the plot being inspired by Shenoy’s own experience with filmmaking. “I studied cinematography but when I ventured into filmmaking, I could not find my footing. I didn’t get a job immediately so I started my career as a light boy, just like my characters, Raja and Kumara in the films,” Shenoy shares.

With homages to Kannada superstars Dr Rajkumar and Ambareesh, the short is also a treat to cinephiles and enthusiasts of regional cinema. “It was important to get the costume and hairstyle right. I got in touch with a photographer friend who had categorised his shoots from different eras. That became the base of most of the looks,” says Shenoy.

Shenoy is quite happy that his film is sharing the spotlight with films like Kantara and KGF: Chapter 2 . “You hear a lot about feature films. But when a film like Madhyantara wins, which people hardly know about, that feeling is something else,” says Shenoy.

source/content: newindianexpress.com (headline edited)

NATIONAL / KARNATAKA: ARTS & CULTURE: 19th National Kannada Cultural Conference celebrated in Andaman

The 19th National Kannada Cultural Conference was recently celebrated with great enthusiasm in Andaman. The event, jointly organized by the Vishnu Naik Memorial Forum, Hridaya Vahini Mangalore, Manjunath Education Trust, and Kannada Sangha Andaman, in association with the Kannada and Culture Department, took place at the S R Castle Hall in Port Blair.

Shubha Dhananjaya, president of the Karnataka Sangeeta Nritya Academy, inaugurated the conference. In her address, she highlighted the global spread of Karnataka’s art and culture and attributed this to the generosity and warmth of Kannadigas. She expressed pride in this cultural expansion and its worldwide recognition.

Dr Archana Athani, the conference president, noted the emotional connection between Karnataka and Andaman. She emphasized the importance of remembering freedom fighters like Kittur Rani Chennamma and Ullal’s Rani Abbakka, whose bravery ignites patriotism.

Dr Malayashanta Muni Shivacharya Swamiji from Shivagange Melenagavi Math, who graced the event with his presence, stressed that every Indian should visit the Andaman Jail to understand the hardships faced by freedom fighters like Veer Savarkar. He spoke about the torture endured by many freedom fighters under British rule, underscoring the need to honor their sacrifices and fuel national pride.

Distinguished guests included renowned thinker and orator Mohammad Rafi Pasha, assistant commissioner of Commercial Tax, and Dr T S Ashok Kumar, Principal Chief Conservator of Forests (PCCF) Andaman, who was honored by the conference committee.

K P Manjunath Sagar, president of the conference committee, explained that Hridaya Vahini Karnataka has been organizing these national Kannada conferences annually since 2004, providing a platform for thousands of Kannadigas, artists, poets, and resource persons from across the country.

S Ronica, secretary of the Andaman Kannada Sangha, presided over the inaugural ceremony. Notable guests included Gona Swami, chairman of Swami Enterprises, Bengaluru; Dr E Anjaneya, chairman of Kuber Groups, Raichur; Dr Shivakumar H D, executive committee member of Kannada Sangha Andaman; and Dr D S Vishwanath, retired district commissioner. K Nagaraj, president of the Karnataka Janapada Artists Association, was also present.

A poetry session, chaired by Dr Archana Athani and Dr Prakash G Khade, featured poets such as Prof Bindiganavile Bhagavan, photojournalist Arif Kalkatta, Aarti Suresh, and Manu Mangalore presenting their works.

The cultural programme included a comedy show by TV9’s Mahadev Sattigeri, Togalu Gombe Aata (puppet show) by Yashoda Shashidhar and team, Bharatanatyam by Natyantharanga artists, and various dance performances choreographed by Guru Shubha Dhananjaya. Performers included Anjana S, Harshita H P, Mudra Dhananjay, Maya Dhananjay, Yashika J Kumar, and Krithika R.

International dance artiste Anu Anand presented a Bharatanatyam performance, while the Rang Samaj (Regd) Bengaluru troupe performed a historical play on Kittur Rani Chennamma, featuring S Tilakraj and A S Aarti Suresh. Renowned folk singers Gona Swami and Shivraj Pandeshwar entertained the audience with their melodious songs.

source/content: daijiworld.com (headline edited)

KARNATAKA : HISTORY: Historian and Epigraphist Gunda Jois remembered for making world know about Keladi dynasty

Gunda Jois’ son Dr Venkatesh Jois, Dr G V Kallapur and others are carrying forward his work.

A renowned historian and epigraphist Keladi Gunda Jois passed away on June 2. He was 94. The fraternity of ancient history and epigraphy in the state said, “We have lost a legacy of a scholarly research cum resource person who informed the world about the tiny dynasty of Keladi of Shivamogga district.”

Gunda Jois of Sagar taluk, popularly known as “Keladi Gunda Jois”, earned the prefix Keladi for his dedicated research and study of the dynasty.

His passion for the dynasty’s history made him set up an exclusive museum at Keladi village of Sagar taluk in 1960. For those visiting the Sri Keladi Rameshwara temple, a peep into the museum is a must.

Gunda Jois collected historical manuscripts, sculptures, paintings, coins, arms and ammunition, copper plaques, and documents of the dynasty and displayed them at the museum. Most of these were found by him in the Malnad region.

Interestingly, he joined an MA course in Ancient History and Epigraphy when he was over 50 years old. He translated the work ‘Nrupa Vijaya’ in Halagannada (old Kannada) to Hosagannada (New Kannada) and helped historians understand the history of Keladi dynasty.

“Jois was an authority on ‘Modi lipi’ and Tigalari dialect of Havyaka Brahmins of Malnad region. He taught many of his students to study it and helped carry forward the knowledge,” said Dr SG Samak, a research student of Jois.

Also an Indologist, Jois learnt how to read palm leaf inscriptions that was in Modi dialect.

Gunda Jois’ son Dr Venkatesh Jois, Dr G V Kallapur and others are carrying forward his work.

Gunda Jois had been presented with Rajyotsava and other awards. He has written 30 historical books.

The Keladi dynasty came into existence at the end of 1499. Keladi Nayakas, who were once part of Vijayanagara empire, ruled Ikkeri and Keladi, and picked, Keladi, a small town, as their capital. Their rise started with the decline of Vijayanagara empire, whose preeminence began to erode after their loss at the Battle of Talikota in 1565.

Keladi rulers fought against the Mughal army, which had set out to capture Raja Ram — son of the Chhatrapati Shivaji, who had taken shelter at Keladi. The dynasty was in power from 1499 to 1763.

source/content: newindianexpress.com (headline edited)

KARNATAKA: ARTS & CULTURE / KONKANI : Ground-breaking Konkani guide ‘Gino’s Guide for Conversational GSB Konkani’ by Italian-British author Gino Di Clemente launched

In a remarkable fusion of cultures, Gino Di Clemente, an Italian-born British citizen, has launched a ground-breaking Guide for Conversational GSB (Gowda Saraswat Brahmin) Konkani. Unveiled at the prestigious Digvijay Mahotsavm of Shri Samyameendra Thirtha Swamiji of Kashi Math in Ernakulam, Kerala, this guide marks a significant milestone in the preservation and promotion of this rich Indian language.

This guide, ‘Gino’s Guide for Conversational GSB Konkani’, represents an extraordinary commitment to cross-cultural understanding and language preservation, facilitated by the Youth of GSB Worldwide, a dedicated organization nurturing the GSB community’s heritage.

Shreemad Samyameendra Teertha Swami, in his address, highlighted the unique nature of this publication, emphasizing the significant impact it will have on both the local and international communities. “Gino Di Clemente’s work is a testament to the power of dedication and cultural appreciation. It is rare to see such profound engagement from someone outside our community, making this guide a monumental achievement in our linguistic preservation efforts,” said Shreemad Samyameendra Teertha Swami.

The guide offers a detailed overview of pronunciation, grammar, and vocabulary, along with practical phrases and examples for everyday conversations. It caters to both beginners and advanced learners, making it an indispensable resource for anyone eager to master GSB Konkani.

About the Author

Gino Di Clemente, originally from Italy and now a British citizen, has a deep personal connection to GSB culture through marriage. Their spouse hails from Karkala, and this familial bond inspired Gino’s immersive study of GSB Konkani. Over the years, their passion for the language and culture has culminated in this comprehensive guide, making a significant contribution to the documentation and promotion of Indian languages.

Copies of ‘Gino’s Guide for Conversational GSB Konkani’ are now available for purchase online on Amazon.

source/content: daijiworld.com (headline edited)

NATIONAL: KARNATAKA: Bandipur’s ‘Yuva Mitra’ In India Book Of Records

The ‘Yuva Mitra’ programme, initiated by the Forest Department at Bandipur Tiger Reserve to educate students about forests and environmental conservation, has earned a place in the India Book of Records.

Distinguished by its unparalleled participation, the programme saw a remarkable turnout nationwide. A total of 8,410 individuals, comprising 7,019 students, 655 teachers, 197 Gram Panchayat members, 395 local farmers and 143 tribal community members, actively engaged in the initiative. Over the period from Mar. 3, 2023 to Mar. 8, 2024, a comprehensive series of 162 awareness sessions on forest conservation were conducted.

The programme demonstrates forest and wildlife citizenship qualities through positive change in behaviour and action at individual, school, family and community levels. Not only students, but also teachers, Principals, parents and all those who demonstrate these qualities become ‘Yuva Mitras.’

Initiated under the leadership of Dr. P. Ramesh Kumar, during his tenure as the Bandipur Director (he is currently serving as Conservator of Forests – Project Tiger, Mysuru) ‘Yuva Mitra’ commenced in 2023, coinciding with the Golden Jubilee of Bandipur Tiger Reserve.

Dr. Ramesh Kumar accepted this honour along with ACF Navin Kumar, RFO Deepa, ‘Yuva Mitra’ Education Officer Mohan, safari guides Manju and Dharma.

This endeavour provides students with free safari and nature education. A notable feature is issuance of ‘Environment Volunteer’ identity cards to participating students, emphasising their role as custodians of environmental stewardship.

The programme envisages providing an opportunity for underprivileged students to explore, understand, experience and learn more about Bandipur and its wildlife in the context of their immediate surroundings. It will promote a learning-by-exploring approach through field visits and curriculum transactions related to forest, wildlife, forest ecosystem services and their conservation importance.

Originally tailored for students, the programme’s scope was later expanded to include local Gram Panchayat staff, farmers and tribal communities.

source/content: starofmysore.com (headline edited)