Vishwa Konkani Samaroh at World Konkani Centre on November 5

Vishwa Konkani Awards 2024 to be presented on November 6 at World Konkani Centre in Shakthinagar.

Konkani Language and Cultural Foundation, World Konkani Centre, Mangaluru, will organise Vishwa Konkani Samaroh – 2024 on Tuesday, November 5, and present Vishwa Konkani Awards – 2024 on Wednesday, November 6.

Dilip G. Naik, Pro Vice-Chancellor, Manipal Academy of Higher Education, Manipal, will inaugurate the programmes at World Konkani Centre in Shakthinagar at 9.30 a.m. on Tuesday. A portrait of well-known cine actor Pandari Bai will be unveiled on the occasion.

The literary sessions scheduled on Tuesday include ‘education in post Independence India with special reference to Konkani’, ‘humour in Konkani literature’ and ‘culture of reading Konkani’. The finals of All India Konkani Poetry Reciting Competition will also be held on Tuesday.

There will be folk performances, Kudubi and traditional Holi dances, in the evening.

This year’s late Vimala V. Pai Sahitya Puraskar will be presented to Fr. Mousinho De Ataide (for lifetime achievement) and Prakash D. Naik (for poetry work) on November 6. Late Basti Vaman Shenoy Seva Puraskar will be presented to Seva Bharati of Mangaluru in the field of education, healthcare, and social service and to Veena Adige of Mumbai in the field Socio-Cultural Community Service, a release said.

source/content: thehindu.com (headline edited)

KARNATAKA : VALIMIKI AWARDS: Five achievers to be conferred Valmiki award

As per a government order, the achievers are Kilari Jogayya, Dr Ratnamma S, Rajashekhara Talwara, K S Mrutyunjaya and Ratnamma B Sogi.

A native of Chitradurga, Jogayya has worked towards social progress as a cattle conservator.

On the occasion of Valmiki Jayanti, five achievers from different fields who have worked for the welfare of Scheduled Tribe communities will be awarded the Maharshi Valmiki Award 2024 on Thursday.

As per a government order, the achievers are Kilari Jogayya, Dr Ratnamma S, Rajashekhara Talwara, K S Mrutyunjaya and Ratnamma B Sogi.

A native of Chitradurga, Jogayya has worked towards social progress as a cattle conservator.

Hailing from Chamarajnagar, Dr Ratnamma is an educationist who has strived for the education of tribal children.

Belagavi’a Rajashekhara has been creating awareness in the community about health and hygiene.

A Bengaluru resident, Mrutyunjaya has been striving to ensure that the community gets government facilities and has been endeavouring to organise the community.

Vijayanagar’s Rathnamma is a renowned theatre artist who has popularised the art in rural areas. She has played a pivotal role in the survival of theatre in rural areas.

source/content: deccanherald.com (headline edited)

KARNATAKA: HISTORICAL RECORDS: 13th-century stone inscription discovered in Davanagere district

A 13th-century stone inscription, or Veeragallu, has been uncovered in Davanagere district during the renovation of the ancient Kalleshwar temple.

A 13th-century stone inscription, or Veeragallu, has been uncovered in Elehole village, Harihara taluk, Davanagere district during the renovation of the ancient Kalleshwar temple, a site dating back to the Kalyana Chalukya period.

The stone inscription, which had remained buried for centuries, has revealed historical connections to the Sevuna dynasty and the heroism of local defenders, offering significant insights into the history of the region.

Dating back to 1283 AD, the stone is carved from charcoal stone, measuring 4 feet in length and 2.5 feet in width. It bears a five-line inscription referring to the Sevuna royal family, also known as the Devagiri Yadavas. The inscription honours Ramachandra Chakravarti, a prominent ruler of the Sevuna dynasty, who held the title Yadava Narayana Bhujbala Praudhapratapa Chakravarti. This discovery highlights the strong presence and influence of the Devagiri Yadavas in the region during the late 13th century.

K Ravi Kumar told HT: “The lower part of the stone depicts Bhoja Narayana and Vambhava in the heat of battle. One of the brothers is shown beheading an enemy, while another enemy lies defeated. On the left, carvings of cows represent the cattle they were defending.”

“The central section of the stone illustrates the brothers’ journey to Kailasa, the divine abode of Lord Shiva. In this part, two celestial nymphs lift a vimana (celestial chariot), with musicians following behind, celebrating the heroes’ valour. The artistic representation symbolizes the heroes’ ascent to divine realms, honouring their sacrifice,” he said.

He further said: “At the top of the stone, the scene shifts to Shivaloka, where the brothers are depicted in Anjalimudra (a pose of reverence), worshipping a Shivalinga. This final image suggests eternal peace and glory, with the sun and moon depicted in the background, symbolizing that the brothers’ fame would endure as long as these celestial bodies exist.”

On the historical context of the Sevuna dynasty, or Devagiri Yadavas, Kumar said: “The Sevunas were a Kannada-speaking dynasty with a kingdom that spanned parts of present-day Karnataka and Maharashtra. They initially served as vassals under the Kalyana Chalukyas before asserting their independence in the 12th century.”

He said that the hero stone specifically refers to Ramachandra Chakravarti, a significant ruler of the Sevuna dynasty, who reigned from 1271 to 1312 AD. “Ramachandra was known for his military victories and cultural patronage, and he played an important role in shaping the region’s history. His reign saw the construction of the Lakshmi Narayan temple near the Harihareshwar temple in Harihara, commemorating his triumphs.”

The archaeologist said that the newly discovered stone inscription has not only shed light on the political and cultural dynamics of the late 13th century but also underscored the importance of local heroes in the social fabric of ancient Karnataka. The Kalleshwar temple, where the inscription was found, continues to be a focal point for archaeological study.

source/content: hindustantimes.com (headline edited)

KARNATAKA: ARTS & CULTURE / FESTIVALS : DASARA 2024: Tableaux showcase vibrant Karnataka

This year’s grand Dasara concluded with a spectacular procession featuring 52 tableaux that celebrated the rich culture and traditions of our State.

For the first time, the number of tableaux exceeded 50, a significant increase compared to previous years, where it ranged from 28 to 35. This year, not only districts but also various Boards and Corporations participated with their tableaux.

Among the highlights of the procession was the tableau from Yadgir, showcasing the Thinthani Mouneshwara Temple, while Kodagu district highlighted the Harangi Reservoir, land conservation, coffee, pepper, and elephant camps.

Raichur district presented the Mudgal Fort, and the Chamarajanagar tableau captured attention by showcasing Soliga tribal culture. The Karnataka Milk Federation (KMF) raised awareness for its ‘Ksheera Bhagya’ and ‘Ksheera Sanjeevini’ schemes, and Karnataka Soaps and Detergents displayed products highlighting Mysore Sandal Soap.

The newly formed Vijayanagara district transported spectators back to the glorious days of the Vijayanagara Empire.

The audience also enjoyed the Bengaluru Urban district’s portrayal of the iconic Vidhana Soudha as the ‘Power House,’ while Bidar highlighted Kannada Pattadevaru. Koppal showcased traditional Kinnala art, and the Tourism department’s tableau presented the State’s tourism spots under the title ‘Ondu Rajya Halavu Jagattu.’

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Dr. Babu Jagjivan Ram Leather Industries Development Corporation Ltd. featured Lidkar products, Uttara Kannada district displayed the Murudeshwara Temple, and Bengaluru Rural showcased Ramadevara Betta and Heggunda.

Karnataka Silk Industries Limited (KSIL) presented various silk products under the theme ‘Karnataka Reshme Namma Hemme,’ while Davanagere district spread a message of humanity with its tableau themed ‘Naavu Manujaru.’

Udupi showcased its rich culture and coastal heritage, Shivamogga district highlighted the ‘Kaitabheshwara Temple’ located in Kotipura, Soraba taluk, and Ballari district presented the   Kurugodu Temple.

The Mysuru district administration’s tableau, themed ‘Manavakulada Samanathe,’ emphasised the significance of unity among humanity. Other noteworthy tableaux included Bagalkote district’s ‘Rannana Kavya Gadayudha,’   Haveri district’s ‘Elakki Kampinadu’ and ‘Santara-Sahitigala Nelebidu’, and Ramanagara district’s portrayal of diversity.

Kalaburagi district showcased its commitment to development, while Vijayapura district featured Basavana Bagevadi. Belagavi district highlighted the 200 years of the Kittur War, and Chitradurga district presented its famous Fort and windmills.

Additionally, Chikkaballapura district showcased the Nandi Ropeway, Hassan district highlighted Belur and Halebidu and Tumakuru district featured Siddarabetta. Beyond the districts, various departments also participated, including Rural Drinking Water and Sanitation, Health and Family Welfare, Information and Publicity, Police, Minority Welfare, and Skill Development, Entrepreneurship and Livelihood, all highlighting different Government schemes. Notably, the Health Department’s tableau raised awareness about female foeticide.

Institutions such as the Central Food Technological and Research Institute (CFTRI), All India Institute of Speech and Hearing (AIISH), and Karnataka State Open University (KSOU) also presented their contributions through tableaux. The Indian Railways tableau showcased the Vande Bharat Express, which has been popular since its launch.

source/content: starofmysore.com (headline edited)

NATIONAL: KARNATAKA: ARTS & CULTURE / FILMS :‘Will have 50 per cent women in team’, Filmmaker Kiran Rao on her feature film ‘Laapataa Ladies’ being India’s offical entry for the 2025 Oscars, and more

Ladies, go for it! Go for it!” says film director, producer, and writer Kiran Rao, giving a message to young women joining the film industry and looking to make strides. Rao has recently been in the news for her film Laapataa Ladies which has surpassed 28 other Indian films to be the country’s official entry in the Best International Feature Film category for the 2025 Oscars.

“India’s entry in itself is an award for me. I am so humbled and we will do our best to make everyone proud,” says Rao. The film, set in rural India, explores themes such as marriage, patriarchy, and societal norms. Two veiled, red saree-donning brides, Phool (Nitanshi Goel) and Jaya (Pratibha Ranta), undertake an adventurously arduous journey of self-discovery after being mistakenly exchanged during a train ride to their respective homes after marriage.

Though both of them go through very different experiences, they learn, unlearn, and wake up in their own ways. Rao says, “The idea of the veil is a great physical metaphor showing that there is a dayra or limit that circumscribes their potential. We did not critique any type of veil; at the end of the film, they are still wearing veils and it doesn’t matter because it is their choice.”

The original story, called Two Brides, was written by Biplab Goswami. Rao tweaked several aspects of this story for her film and also introduced a character called Manju Mai, a quirky middle-aged woman Phool meets at a train station. “Manju Mai symbolises women’s independence, living on her own terms.

The women in our lives our mothers, aunts, grandmothers, sisters have done so much for us. Yet their work is not valued and Manju Mai really essays that as a character,” says Rao, who, going forward ‘plans to have 50 per cent of women in her filmmaking team’.

Further, Rao highlighted the need for more women, queer people and those from marginalised backgrounds to be in filmmaking. “But I do believe there are sensitive male directors as well; just look at The Great Indian Kitchen! And as someone raising a son, the human that he is speaks about who I am! So, raising empathetic boys is important,” she says.

Rao is also working on films in the comedy, dark drama and supernatural horror categories. Signing off she says, “When you have humour, it creates a space for conversation.”

source/content: newindianexpress.com (headline edited)

NATIONAL: KARNATAKA FIRST: TRAVEL & HOSPITALITY / HOTELS: K Syama Raju, first from Karnataka to head Federation of Hotel & Restaurant Associations of India

K Syama Raju, Managing Director of Hotel Maurya, Bengaluru and President of the
Southern India Hotel & Restaurant Association (SIHRA), has been elected as the
President of the Federation of Hotel & Restaurant Associations of India (FHRAI). 

He is the first person to be elected from Karnataka as FHRAI President in the last 50 years.

The election took place at the Federation’s Annual General Meeting held in Delhi, where Raju and other Managing Committee members were chosen for a one-year term.

In addition to his new position, Syama Raju also serves as President of the
Karnataka Tourism Society.

Upon assuming office, Raju outlined FHRAI’s priorities, including securing industry status for the hospitality sector, obtaining subsidies, and addressing human resource challenges.

He further stressed the Federation’s commitment to collaborating with state and union governments to support hoteliers and facilitate new investments, as the tourism industry is expected to witness rapid growth in the coming years.

FHRAI Office Bearers for 2024-25 are as follows:

President: K Syama Raju
Vice President : Pradeep Shetty
Vice President : Surendra Kumar Jaiswal
Vice President : Nitin S Kothari
Hon. Secretary : K Nagaraju
Hon. Treasurer : Garish Oberoi
Jt. Hon. Secretary : Nirav Gandhi
Jt. Hon. Secretary : Ashoke Singh, according to Jaison Chacko, Secretary General, FHRAI.

source/content: mysoorunews.com (headline edited)

KARNATAKA: 02nd October – Gandhi Jayanti: Badanavalu: Where Gandhjii’s legacy inspires a thriving khadi industry

The rhythmic hum of spinning wheels — Charaka — still reverberates through the air in Badanavalu, a village in Nanjangud Taluk, Mysuru District, that etched its place in history during India’s freedom struggle.

Sanctified by the footsteps of Mahatma Gandhi (whose 155th birth anniversary was celebrated yesterday), this humble village embraced his ideals and clung to its legacy of cottage industries, preserving them with pride to this day.

The soft, distant clatter of spinning wheels, tirelessly weaving Khadi threads, echoes through the fields. It was here, following Gandhi’s two iconic visits in 1927 and 1934, that hundreds of women found empowerment, shaping their lives around the art of weaving Khadi.

Gandhi first arrived in 1927, amidst his fight against the Simon Commission. His visit to the Mysore kingdom brought him face-to-face with freedom fighter Tagadur Ramachandra Rao.

Beacon of self-reliance

Upon witnessing the Khadi and Village Industries Centre, established by the Maharaja of Mysore in Badanavalu, Gandhi’s heart swelled with hope. His inspiration spurred the growth of more cottage industries, a movement that would transform the village into a beacon of self-reliance.

To commemorate Gandhi’s visit, a stone was laid at the very spot he set foot, with the inscription ‘Badanavalu Spinning Region.’ This simple act sowed the seeds for the formation of the Badanavalu Khadi Village Industries Cooperative Society.

A stone dating back to 1927, etched with the image of a spinning wheel, still stands as a symbol of his presence. Under local leadership, a bust of Gandhi and a pavilion were erected, with a plaque proudly noting its inauguration by the then Chief Minister, Veerendra Patil.

A hub of rural industry

In 1934, Gandhi returned to the Mysore region as part of his donation campaign for the ‘Harijan Sevak Sangh.’ Seizing the moment, he revisited Badanavalu to check on the progress of the spinning centre he had once inspired.

Following Gandhi’s initial visit, and with the enthusiastic backing of Maharaja of Mysore, Badanavalu blossomed into a hub of rural industry. Matchstick production, hand-made paper crafting, carpentry, blacksmithing, grain processing and making of puffed rice, beaten rice and fibre products were all successfully established.

Additionally, training for rural oil and fibre industries was introduced, creating a vibrant cottage economy that provided employment for around 500 villagers. Locals fondly recall Gandhi’s delight at witnessing the thriving industries during his second visit, a testament to the enduring spirit of self-reliance he had instilled.

Government support

At present, the Khadi industry is the only operational enterprise at Badanavalu, with the centre now under the management of the Khadi and Village Industries Society from Holenarasipura, Hassan district.

Supported by Government incentives, the workers spinning Khadi garments earn Rs. 35 per piece, with an additional Rs. 3 for each spool of thread and Rs. 7 per metre of fabric as bonus wages from the Khadi and Village Industries Board.

On average, women earn between Rs. 150 to Rs. 200 per day, utilising their spare time after household chores to engage in this craft.

Sabarmati Ashram model

The centre, sprawling across 5 acres, is seeing a renewed focus on development. A compound wall is under construction and the Karnataka State Tourism Department, through KRIDL (Karnataka Rural Infrastructure Development Limited), is building a structure modelled after the Sabarmati Ashram. The project is well underway.

Plans are also in motion to transform the park into a tribute to Gandhi’s legacy, with statues depicting his Dandi March and other figures emphasising village self-governance and self-reliance.

Meanwhile, the building erected in 1950 on the very spot where Gandhi addressed the villagers in 1927 has fallen into disrepair. Plans are underway to restore this historical structure, preserving it as a monument for future generations to remember and honour Gandhi’s profound connection with the village.

Badanavalu village, nestled in Nanjangud taluk of Mysuru district, is strategically situated along the route from Nanjangud to Chamarajanagar, boasting robust road connectivity.

Earlier Narasambudhi

Notably, railway records refer to this village as Narasambudhi. According to the 2011 census, Badanavalu is home to 632 families, with a population totalling 2,784. While it once drew attention due to caste conflicts, today the village thrives in a spirit of communal harmony.

In his 2024-25 State Budget speech, Chief Minister Siddaramaiah, a native of the Mysuru district, unveiled plans to enhance Khadi activities in Badanavalu — an area historically significant for its connection to Mahatma Gandhi.

He also proposed the development of the village as a National Memorial and a dedicated Development Committee has already been established to oversee this initiative.

The Badanavalu centre has attracted numerous dignitaries, including activist Medha Patkar political leaders, Ministers, elected representatives, and a host of film actors, all drawn by the village’s rich heritage and ongoing development.

The original Kannada report, written by D. Ashok Kumar, Deputy Director, Department of Information and Public Relations, Mysuru, was sent to Star of Mysore to be published on the occasion of Gandhi Jayanti (Oct. 2).

source/content: starofmysore.com (headline edited)

NATIONAL: KARNATAKA: TRAVEL & TOURISM: Kuthlur village in Dakshina Kannada district, Karnataka wins national award for adventure tourism

The Ministry of Tourism launched the ‘Best Tourism Village Competition’ last year to deepen pride among India’s villages.

Kuthlur village in Belthangady taluk of Dakshina Kannada district has shed its ‘Maoist tag’ and has become the only village in Karnataka to win a national award in a competition organised by the Ministry of Tourism.

The Ministry of Tourism launched the ‘Best Tourism Village Competition’ last year to deepen the sense of competitiveness and pride among India’s villages and the best five Rural Tourism Villages will be recognised under each category.

The competition is held in three stages — district, state and national levels. Harish Dakaiah, a software engineer from Kuthlur, works in Bengaluru and participated in the contest along with his friends from the same village Sandeep Poojary, who works in Qatar and Shivaraj.

They participated in the adventure tourism category and there were around 40 questions related to various adventure opportunities, security system in place for the safety of visitors etc on the tourism website where they had to upload all the documents, including photos, and details on the tourism spots, he said. Later on at the national-level evaluation, they had to submit a video.

source/content: newindianexpress.com (headline edited)

NATIONAL: KARNATAKA: AIR : India’s First Radio Station, the Akashvani Mysore Station is 90

Akashvani Mysore Station is celebrating its 90th anniversary, turning a new page in its several decades long history, continuing to serve a stream of connoisseurs, who still long to hear the mellifluous voice broadcast on the radio (Air Mysuru 100.6 FM).

For the uninformed, it was Akashvani Mysore Station that gave the name ‘Akashvani’ to All India Radio (AIR), the broadcasting facility of the country. Even amid the changing scenario, marked by key challenges with the advent of commercialisation, globalisation and multimedia, Akashvani has etched a firm place in the heart of the listeners.

With a variety of programmes entertaining the young and old alike, not ignoring its commitment to the society, Akashvani has been catering to the legion of listeners, moving ahead with a confidence of remaining the popular broadcasting media.

Genesis of Radio Station

To trace its origin, M.V. Gopalaswamy, a Professor of Psychology in Maharaja’s College here, started the Radio Station at his home in Yadavagiri, in the city on Sept. 10, 1935. Notably, it was the country’s first Radio Station, which began with the airing of Rashtrakavi Kuvempu’s poetry. A vocal concert by renowned composer Mysore Vasudevacharya, a direct disciple of Saint Thyagaraja, was the first music programme to be broadcast on this Radio Station.

The Radio Station was later shifted to the present building of Mysore Medical College & Research Institute (MMC&RI) on Irwin Road in the city. It was later handed over to Mysore Municipality (which later became Mysuru City Corporation) and was subsequently managed by the princely Mysore State headed by the Maharaja.

Wave of novelty

In the later years, N. Kasturi, as the first Assistant Director of the Station, took the Station to new heights, making it a talk of the town with its innovative programmes. The Central Government took over Akashvani in the later years and Prof. B.N. Murthy, as the Station Head, gave a touch of creativity, while his successor Dr. M.M. Natesh infused novelty to the events.

After the formation of Karnataka State, the Radio Station was shifted to Bengaluru on Nov. 2, 1955, before relocating to Mysuru on Nov. 14, 1974.

Several programmes aired on Akashvani Mysuru, were the result of successful experiments and have bagged several national awards. It has succeeded in maintaining its own distinct quality, amid the growing influence of mass media, with the motto Bahujana Hitaaya, Bahujana Sukhaya. Be it literature, music, plays, education, health, cinema, sports, agriculture and several other programmes, Akashvani has been endearing the listeners.

Programme list

The programmes like Coffee Thindi, Belli Beragu, Veeneya Bedagu Nadada Sobagu, Arivina Shikhara, Laya Sambhrama, Haadu Helida Kathe, Thorana Horana, Kannada Bharati, Doctor Samaya, Mahila Ranga, Yuva Ranga, Bala Jagat, Rasaprashne, Ranga Banuli, Chilipili, Chatpat Churumuri, Udyoga Varthe, Krishi Ranga, Mahila Ranga, Kelugara Korike – Nimma Mechchina Chitrageethegalu, Natakagalu, Chalanachitra Dhwani Vahini, Mishra Madhurya, Game Show, Katheyallide Uththara, Kelugarondige Anisike, Kaadina Rochaka Kathegalu, Sangeetha Sambhrama, Trin Trin Cycle Savari, Maathina Lahari, Nammoora Hesaru, Kadambari Vichara, Heegide Nam Jodi, Haadiyalli Kanda Mukha, Keli Giligale, Makkala Mantapa, Nenapinangala Sandhya Raga, Vaidyarondige Bheti (health programme), direct Phone-in and Varthegalu (news), command dedicated listeners, along with cricket and Dasara commentaries.

Besides, by producing quality programmes, Akashvani is striving for the welfare of the society too.

A household brand

Like the eponymous brands of Mysore like Mysore Dasara, Mysore Mallige, Mysore Sandalwood, Mysore Pak and Mysore Silk, Mysore Akashvani is also a household brand. It has been functioning out from the heritage building in Yadavagiri on KRS Road in the city, broadcasting a variety of non-stop programmes from 5.55 am to 11 pm.

Meaningful 90th anniversary celebrations

The 90th anniversary of Akashvani Mysore Station was meaningfully celebrated on Sept. 10, with Pavithra, the great granddaughter of Akashvani Founder M.V. Gopalaswamy and Rajaram, the grandson of N. Kasturi, planting the sapling to mark the milestone in the history of the Radio Station, at its premises in Yadavagiri.

Addressing the gathering, Deputy Director of Akashvani Mysore, S.S. Umesh, recalled the history of the Station, saying that it was on Sept. 10, 1935 that the Station made its start and was later managed by Mysore Kingdom and was subsequently taken over by the Central Government. The Station has provided a platform for various litterateurs including Rashtrakavi Kuvempu, by airing a series of programmes. The programmes have still retained their popularity.

Assistant Director Abdul Rasheed, T.B. Vidyashankar, Programme Executive B. Shanthakumar and others were present.

As part of 90th anniversary, day-long special programmes were aired on Akashvani Mysore.

source/content: starofmysore.com (headline edited)

NATIONAL: KARNATAKA: PROJECT DIGITISATION: Close to 12,000 books digitised in Bengaluru for All India Gandhi Library project

The collection, assembled over three months and spanning 12 languages, includes Mahatma Gandhi’s collected works, publications such as Harijan and Young India and audio recordings.

The Servants of Knowledge, a non-profit group, has announced that 11,720 books from the library of Bengaluru’s Gandhi Bhavan have been digitised as part of the All India Gandhi Library project.

The group announced this at the valedictory session of a seminar held on Sunday to mark the 75th year of the Gandhi Smaraka Nidhi Organisation.

According to a statement by the non-profit group, Gandhi Bhavan had already made 1,272 books publicly available online. The freshly digitised collection, assembled over three months and spanning 12 languages, includes the collected works of Mahatma Gandhi, his publications such as Harijan and Young India and audio recordings of him speaking on All India Radio.

The digitised libraries have been presented to 12 Gandhian organisations.

Among the speakers at the seminar was American public domain information advocate Carl Malamud, who is also part of Servants of Knowledge and the founder of the US-based Public.Resource.Org.

“For the last several months, we have been digitising every book here at the Karnataka Gandhi Smaraka Nidhi libraries. Today we are presenting all of those books in digital format to the organisations here, making them the trustees of this knowledge….this is the first release of the All India Gandhi Library. We have offered to digitise at no cost additional Gandhi materials these organisations may possess to add to the collection. We have already assisted the Gandhi Smaraka Nidhis of Telangana and Andhra Pradesh  and we welcome additional materials…..as we say ‘scanning is the new spinning’,” he said at the seminar.

Explaining the digitisation process, Malamud told indianexpress.com later, “We make the scanners and frames here in India and have 17 scanners here at Gandhi Bhavan and can scan 15 lakh pages every month… Once you get good at it, you can do 500 pages in an hour. After the scan, a post-process happens where you crop the pages, de-skew it, run optical character recognition and create a PDF file—a whole chain of processes.”

Explaining the challenges of working with old books in general, Malamud added, “If the material is truly fragile, we work with INTACH (Indian National Trust for Art and Cultural Heritage) and they help us conserve the books. The same goes with fragile palm leaves. We’re careful while turning the pages with older books, but if the book is going to disintegrate we have it go through the conservation process.”

About some other work done by the Servants of Knowledge, Malamud said, “Om Shivaprakash (another archivist with the Servants of Knowledge) has been instrumental in finding old Kannada books and gotten permission to digitise old Kannada magazines from publishers…. We’re also working on Lalbagh right now and digitising their library of 6,000 books and digitising old and rare prints. There are all sorts of materials that are on the internet for the first time and that is something we’re particularly proud of.”

source/content: indianexpress.com (headline edited)