On Karnataka Rajyotsava, a digital archive of 220 documentaries captures State’s many worlds

The documentaries, spanning 1982 to 2026, capture 117 places across 94 hours of viewing and have been catalogued by regions and themes such as communities, music and art, livelihoods, politics and protest, and so on.  

Varun Nagesh, a Bengaluru-based marketer who hails from Shivamogga, calls himself a documentary freak. So, when he decided to make a contribution to mark 70 years since the formation of the Mysore State, renamed Karnataka in 1973, the choice was pretty obvious: a dedicated website ‘Karnataka on Film’ which brings together 220 documentaries on Karnataka, capturing the land that is “one State, many worlds”. 

The documentaries, spanning 1982 to 2026, capture 117 places across 94 hours of viewing and have been catalogued by regions and themes such as communities, music and art, livelihoods, politics and protest, and so on.  

Understanding the diversities

For Mr. Nagesh, the idea of the project originated from “a sense of being South Indian and a Kannadiga”. 

“As you grow older, you begin to understand why certain things are important to maintain social harmony and structures,” he said. According to him, the idea was to create awareness that Kannada and Karnataka exist in many forms.

There is no single, fixed version of Kannada. The language has evolved into different dialects, with influences from other languages, he pointed out, citing the example of ‘Aravu Kannada’, a dialect spoken in parts of Bengaluru, which has influences from Telugu, Tamil and Kannada. 

“That is the beauty of this diversity. Unity in diversity can endure only when the diversity is recognised. Otherwise, it becomes a struggle over who gets to define that unity,” he said.  

Portals to layers of history

But why documentaries? 

“Because documentaries involve going to a place, capturing footage and building a story around what has actually happened. You cannot change the scene simply because you want to as a director,” explained Mr. Nagesh.  

A staunch believer that people should explore different perspectives and understand the social context rather than use history to prove how knowledgeable they are or to attack someone else, he pointed out that Karnataka’s history has several layers.  

For him, documentaries are the perfect portals to discover these layers.  

“I built it because I enjoy watching these documentaries. It is almost like a time machine that takes you back to another era,” he said.  

The roots of the idea stemmed on a Saturday when he sought documentary recommendations from a Kannada movie community. Despite the number of community members being in thousands, the number of Kannada documentary recommendations he got was just 10-15. Most documentaries were scattered across the internet and difficult to discover. 

“That made me realise that there could be others who wanted to discover such content but didn’t know where to look. So, I built the website for myself and for them,” he stated.

Mr. Nagesh plans to make the website an open-source platform where people can contribute. 

“I don’t want the website to reflect only my perspective. I’d like people to have healthy discussions and debates about history, without them turning toxic,” he said, adding, “I feel people should learn about their history not to feel superior to others or use it to attack them, but to feel humbled. We should draw confidence, not rage, from that pride.” 

source/content: thehindu.com (headline edited)

An unconventional path, big dreams: Jessica Hemanth Peter’s journey from India to Hollywood

She didn’t go to makeup school or follow a well-worn path into the film industry. What she did have was an eye for beauty, an appetite for learning, and the determination to find her place in a world she had always wanted to be part of.

Some people know exactly what they want to be. Others spend years discovering it. Jessica Hemanth Peter seems to have been collecting clues since childhood.

Growing up in Bengaluru, India, she was the little girl who played dress up with her dolls, secretly used her older sister’s lipgloss before heading to school and wore a full beat by the time she was seventeen.

However, her interest in makeup took a more unexpected turn. As a teenager, she watched Mel Gibson’s The Passion of the Christ and found herself fascinated by the special effects makeup. While the film left a powerful impression on her for its story, the physical transformations happening on screen opened up an entirely new world. She wanted to understand how an artist could make an actor look wounded, aged, or completely unlike themselves.

Years later, that curiosity brought her to the New York Film Academy. She worked on student films, got a taste of life on set, and began finding her way into the industry. She did not come with a professional makeup qualification or a carefully structured career plan. Much of what she knows has come from independent learning, research, experimentation, and the experience of actually doing the work.

It is a route that has demanded initiative. There is no classroom quite like a working film set, and no substitute for figuring out how to deliver a creative result with a camera waiting and a production schedule ticking away.

A Little Bit of Everything, Always for the Story

Today, Peter works as a makeup artist across films, editorial photoshoots, music videos, infomercials, and fine-art photography. Her work moves between the very different demands of beauty makeup and special effects. One day might call for a polished editorial look; another might require an actor to appear as though they have lived through an entirely different reality.

She has worked with independent filmmakers in New York and Los Angeles, including on Side by Side, directed by Thorne Daniels featuring Hollywood’s newest up and coming talent Michael Bradway, Sleepwalkers with award winning DP Piero Basso (AIC), on the NYFAxSony music video for The Thing with internationally renowned director Liz Hinlein and has also worked with Indian celebrity fashion designer Manish Malhotra.

Peter is equally interested in what happens beyond the makeup chair. Production design is another important part of her creative life, particularly the process of world-building. She loves the research, the visual references, and the small details that make a fictional place convincing. A room should tell you something about the person who lives in it. A street should feel as though people have been walking through it long before the camera arrived.

For Peter, makeup and production design involve looking closely at the world and imagining how it could be presented differently.

Making Room for More Than One Dream

Peter’s ambitions are not confined to securing the next film project. She is developing Casual Color Science, a makeup brand informed by her interest in color theory, film and television makeup and everyday complexion. It is part of a series of coffee-table books about makeup for film and television, as well as an online database intended to bring makeup literature and professional knowledge together in one accessible resource.

There is another direction she hopes to explore: working with doctors to help patients who want to camouflage vascular anomalies, scars, birthmarks, and tattoos. She is interested in how the techniques used by professional makeup artists might be adapted, in collaboration with medical professionals, to give patients more choices in how they present themselves.

It is a natural extension of her interest in makeup, but one with a very different audience. On a film set, makeup helps an actor inhabit a character. In a medical setting, it could help someone feel more comfortable in their own skin.

Her Christian faith is part of how she understands this work. Raised in India in a Christian family, Peter believes beauty is part of God’s creation. As a member of a religious minority, her journey has also involved finding the confidence to pursue her interests and ambitions while holding on to the convictions that matter to her.

It is perhaps no surprise that she is also a writer. Her young-reader adventure series, The Seekers Guild, draws on her love of storytelling and imaginative worlds. Its fictional coastal town of Marlowe, Maine, is being developed with the same attention to atmosphere and detail that she brings to production design.

The Life You Have to Go After

Moving from India to the United States and finding work in the creative industries has not followed a predictable script. Peter has had to make her own opportunities, keep learning, and be willing to take on projects that broaden her experience. She is still building, still experimenting, and still figuring out what the next chapter might look like.

Perhaps that is what makes her story interesting. She didn’t wait until she had every qualification, every connection, or every detail worked out. She started with an interest and kept following it.

For someone who once spent afternoons reimagining her face in front of a mirror, the possibility of creating entire worlds for film seems a fitting destination. And for the teenager captivated by the makeup in The Passion of the Christ, working in special effects and beauty makeup in the United States is a dream that has taken tangible shape.

Peter’s advice to aspiring creatives would be less about finding the perfect moment and more about having the courage to begin. A dream doesn’t arrive with a guarantee, and the road towards it rarely looks the way you expect. But sometimes, the life you’ve imagined is waiting on the other side of the decision to go after it.

Jessica Hemanth Peter is currently based in Los Angeles–but is bicoastal when needed. Her work and creative projects can be explored at JHPeter.com, YourCasual.com, and TheSeekersGuild.com.

source/content: daijiworld.com (headline edited)

A Brush With History

Bengaluru-based artist-curator Ajitvar Kumar Douglas, who represented India at the 11th Tashkent International Biennale of Contemporary Art, discusses the influences behind his research-driven art.

The conversation begins on a cheerful note, with anecdotes about travel and artistic encounters coming in quick succession. Contemporary artist and curator Ajitvar Kumar Douglas is particularly animated when discussing history, a subject that informs most of his work. He sees history as an evolving account of events and ideas that are open to interpretation across time and geography. “I’m interested in understanding these changes and looking at what remains. Even when I use figures of gods and goddesses, I’m not necessarily making a religious painting. I’m using the iconography that we see in temples and giving it a different context,” he explains.

Recently selected for the 11th Tashkent International Biennale of Contemporary Art in Uzbekistan, Douglas sees the experience as another chapter of a journey that has taken him to more than 28 countries. This event brought together 70 artists from 29 countries, with Douglas and Hyderabad-based artist Priti Samyukta representing India. Going to Tashkent held personal significance, he shares, “When I spoke to my father about the invitation, he told me I had to go to Samarkand because that is where our family had migrated from many years ago. I had always wanted to travel along the Silk Road, so this was an opportunity to connect with that part of our history.”

Since making Bengaluru, which he calls his karmabhoomi, his permanent home around 15 years ago, his artistic language has also undergone a significant change. The temple sculptures and everyday life here have since influenced his paintings, particularly his use of colour.

The three works he exhibited at the biennale belong to his Solitude series, exploring the tension between isolation and connection. Abstract forms, deep colours, textured surfaces and small human figures set against vast landscapes capture the experience of turning inward. The series viewed solitude as a crossing through which one comes into force.

His international exposure began with invitations to art symposiums in India that later took him to Qatar, Italy, Sweden, Norway, Denmark, France, Egypt, South Korea and other countries. His exhibition history includes the 9th Biennale de Sarria in Spain, exhibitions in South Korea and a solo show at SPC Kunstraum Gallery in Copenhagen. He also participated in the PaRDeS project in Mirano in 2024. “Travel opens a different perspective. The India you know while living here is different from the India you understand when you go out and compare. You meet artists from different countries, see how they work and understand their cultural references. It makes you question your assumptions and gives you new ways of looking at your practice,” reflects Douglas.

source/content: newindianexpress.com (headline edited)

Sarah Jukaku: First Muslim U.S. senator’s wife has a Karnataka link

Dr. Sarah is the granddaughter of the late J.H. Shamsuddin Jukaku, a lawyer from Bhatkal who served as Deputy Finance Minister in the erstwhile Mysore State government, led by the then Chief Minister B.D. Jatti, in the late 1950s and early 1960s.

Sarah Jukaku, a doctor and wife of Democrat Abdul El-Sayed, who is the first Muslim elected to the U.S. Senate in the midterm elections, traces her family roots to Bhatkal in Uttara Kannada district, of Karnataka, according to media reports.

Dr. Sarah is the granddaughter of the late J.H. Shamsuddin Jukaku, a lawyer from Bhatkal who served as Deputy Finance Minister in the erstwhile Mysore State government, led by the then Chief Minister B.D. Jatti, in the late 1950s and early 1960s. Shamsuddin was also the Deputy Minister for Electricity in the then government led by then Chief Minister S. Nijalingappa, reports said.

It is said that following the death of Shamsuddin, his family members shifted to different parts of India, including to Bengaluru.

Reports said that Dr. Sarah is the daughter of Jukaku S. Tayeb, also a doctor, who was among four sons of Shamsuddin, who also had six daughters. Dr. Tayeb moved to the U.S. in the 1980s.

They said that Dr. Sarah met EI-Sayed in the University of Michigan and they got married in 2006. Reports said that their family has still maintained relations with family members in India.

source/content: thehindu.com (headline edited)

‘Kudla Birders’ record 73 species during Rajyotsava Bird Count

Fifteen members of the informal birding group, ‘Kudla Birders,’ recorded 73 bird species during an outing to the wetlands of Manjalpaade and Bondel in Mangaluru on Sunday.

The bird count was organised as part of the Karnataka Rajyotsava Bird Count 2026, a State-wide citizen-science initiative organised by Bird Count India, said a release.

The morning’s sightings were documented through an e-Bird checklist. Notable species included the Grey-headed Bulbul and Malabar Flameback, both endemic to the Western Ghats, along with the Western Marsh Harrier, Changeable Hawk-Eagle and Black-throated Munia.

Deepika Prasad, M. Vivek and Rohit S. Rao of Kudla Birders coordinated the outing. The walk was led by Mr. Rao, who has been observing the birdlife of the Manjalpaade area for more than 40 years.

Mr. Rao said that Mangaluru had several small pockets of natural habitat, such as Manjalpaade, which supported a surprising variety of birds and other wildlife. “Many of these spaces are increasingly coming under pressure from urbanisation, trespassing and littering, making greater public awareness and collective efforts to protect them essential,” he said.

Through its participation in the State-wide count, Kudla Birders hopes to encourage wider public interest in birdwatching while highlighting the ecological importance of Mangaluru’s urban forest patches and wetlands and the need to conserve them for future generations.

source/content: thehindu.com (headline edited)

HMT unveils four ‘Kannadiga’ watch series for Rajyotsava; builds on record I-Day sales

Adding a distinctive touch of Kannada pride to its iconic watch collection, Hindustan Machine Tools (HMT) Limited unveiled four new series of ‘HMT Kannadiga’ watches at a special event held at HMT Grounds in Jalahalli on Sunday, marking Kannada Rajyotsava.

Union steel and heavy industries minister H D Kumaraswamy launched the specially designed watches that are intended to celebrate Karnataka’s language, culture and identity.

Priced between Rs 3,500 and Rs 4,500, the new collection is expected to be available across HMT watch showrooms.

The minister described the watches as products offering international standards of quality at affordable prices. “These are top-class watches of international standard quality at affordable prices,” he said.

The launch programme also featured a musical evening by renowned music director Arjun Janya.

The latest collection follows the overwhelming response to HMT’s special Independence Day watch collection launched in August this year. The company’s six limited-edition models, priced between Rs 2,000 and Rs 10,000, were sold out in a single day in Bengaluru, generating sales of more than Rs 35 lac.

HMT chairman and managing director N Ramesh Kumar had confirmed that all 1,750 watches manufactured for the special collection had been sold out. Thousands of customers had queued outside the company’s three Bengaluru outlets, with the queue at one point stretching more than 2.5 km, according to Kumaraswamy.

“The affection and goodwill that people continue to have for HMT is deeply encouraging. In particular, young people are showing tremendous enthusiasm for HMT watches,” the minister had said.

Kumaraswamy had also described the response as an encouraging sign for the government’s efforts to revive the public sector watchmaker, which once enjoyed an iconic place in India’s watch industry.

The minister had said the Centre was working towards reviving HMT’s manufacturing operations, adding that a high-level committee headed by former NITI Aayog member V K Saraswat had examined the company’s revival prospects and submitted its recommendations.

The latest Kannadiga collection marks another effort by HMT to reconnect with customers by combining its heritage with Karnataka’s cultural identity.

source/content: daijiworld.com (headline edited)

Mysuru’s Sonam Chugh is Gross Ladies Champion

World Amateur Golff Championship-2026

Johor: 

City’s Sonam Chugh, representing India, emerged as the Gross Ladies Champion at the World Amateur Golf Championship (WAGC) 2026, that concluded at Johor in Malaysia yesterday.

Sonam finished with an impressive overall score of 22 over par to win the championship.  

The gruelling 90-hole championship was played over five days across five different golf courses courses.

Sonam is also the Committee Member of Jayachamaraja Wadiyar Golf Club (JWGC), Mysuru

source: http://www.starofmysore.com / Star of Mysore / Home> Sports / October 31st, 2026

Karnataka government announces 2026 Kannada Rajyotsava Awards: 71 achievers selected

The state government has announced the list of recipients for the prestigious Kannada Rajyotsava Award for the year 2026. A total of 71 achievers who have rendered notable service in various fields have been selected for this year’s Rajyotsava Award.

Here is the list of award winners by major fields:

Folk (Janapada)

1. Davalsab Attar, Koppal

2. Gauramma, Chamarajanagar

3. Pandappa Devalappa Lamani, Gadag

4. A. R. Satyanarayana, Bengaluru South

5. Eranna Rudrakshi, Raichur

6. Shivalingappa M, Koppal

7. Suresh Ramachandra Joshi, Vijayapura

Music

8. Dr. C. A. Sridhar, Mysuru

9. Dr. A. Narayana Swamy, Hassan

10. Sri B. Murali, Bengaluru

Rural Dance

11. Dr. Satyanarayana Raju, Bengaluru Urban

Cinema / Television

12. Venkataramana Babajee, Dharwad

13. Ashok, Bengaluru Rural

14. K. S. Ravindranath, Bengaluru Urban

Yakshagana

15. Gopala Ganiga, Udupi

Bayalata

16. Huligamma, Ballari

Theatre

17. D. Kempanna Bin Late Dyavappa, Bengaluru Rural

18. K. Jayalakshmi Patil, Dharwad

19. G. D. Thimmayya, Chitradurga

20. K. R. Sumathi, Mysuru

21. H. V. Puttaveerappa, Bengaluru South

22. Honnanayak, Mysuru

Sculpture

23. G. V. Hamsananda Acharya, Vijayanagara

24. Kadappa Parashurama Gadivaddar, Belagavi

Painting

25. C. B. Somashetty, Bidar

Handicrafts

26. Shantabai, Bidar

Agriculture

27. H. K. Sreeranthu, Bengaluru South

28. B. A. Channappagowda, Bengaluru Urban

Environment

29. Dr. Swami Anand R., Mysuru

Science – Technology

30. Prof. Rajasab A. H., Kalaburagi

31. Dr. Rajashekhara Murthy, (Canada)

Media

32. D. Umapathi, Chitradurga

33. M. P. Susheela, Bengaluru Urban

Media / Photography

34. Vishwanath Suvarna, Dakshina Kannada

Others

35. Rukminibai Nagappa Vashthar, Bagalkot

36. D. S. Chowgule, Belagavi

37. Belluru Shankara Narayana Dwarakanath, Bengaluru Urban

38. Ravipraveen Noronha, Bengaluru Urban

39. M. R. Jaishankar, Chikkamagaluru

40. Prasad Bidappa, Kodagu

41. Vasappa Yallappa Kusagoor, Haveri

Architecture

42. B. P. Aaradhya, Bengaluru South

Social Service

43. Dr. Annadaneeshwara Mahashivayogi, Gadag

44. Basavaraju, Mandya

45. Kagodu Thimmappa, Shivamogga

46. Dr. S. M. Eli, Davanagere

47. Dr. G. S. Chandrashekar (Adarsha Charitable Trust), Uttara Kannada

48. Dr. Shivananda Mahaswami, Kalaburagi

49. Krishnegowda Bin Venkatarayappa, Chikkaballapura

50. A. C. Bhandary (A. B. Tulu Okoota), Dakshina Kannada

51. Guramma Hampayya Sankinamath, Bagalkote

Medical

52. Dr. Vijayendra Honnourappa, Bengaluru Urban

53. Dr. Sujatha Mallikarjuna Jali, Belagavi Administration

54. Teresa Bhattacharya, Bengaluru Urban

55. Dr. K. S. Somashekar, New Delhi

Engineering

56. Dr. K. N. Venkata Krishna Rao, Chikkaballapura

Literature

57. Dr. Indira Hegde, Dakshina Kannada

58. Veerahanuman, Raichur

59. Prof. Narayana Ghatta, Tumakuru

60. C. Maheshwarappa Chatnalli, Chikkamagaluru

61. Dr. Karigowda Beechanahalli, Tumakuru

62. Dr. Siddarama Honkal, Yadgir

Education

63. Fr. Joseph (Vice-Chancellor, Christ University), Bengaluru Urban

64. Shantappa Dashavantha, Vijayapura

65. Sangeeta N. Kattimani, Kalaburagi

66. Dr. N. S. Rangaraju, Mysuru

Judiciary

67. B. V. Acharya, Udupi Non-Resident (Overseas/Other states)

68. Ramesh Gowda (Former President, AKKA America)

Sports

69. A. V. Ravi, Kolar

70. Dr. A. B. Subbaiah, Kodagu

71. N. Girish, Bengaluru Urban

source/content: english.varthabharati.in (headline edited)